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Dominus Nostrum Gundam: A Primer to Gundam Build Fighters

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I've had something like this brewing in the back of my mind ever since I finished watching the series some months ago. For anyone who's followed me for  awhile, you'll know I have a tendency to try my hand at the recap/review game and not finish what I start. I can't say this won't happen with this series, but life has taught me it's better to live with the regret of trying and failing than with the regret of never trying at all.  So, without further adieu, I welcome to Dominus Nostrum Gundam, the recap/review series for Gundam Build Fighters.



As of this writing, I'm about half way through the first entry of the series proper, but I've decided to derail that for a bit to give a primer for the series going forward. Nothing too huge, just getting the basics of the series, some personal history and musing on the Gundam franchise as a whole out of the way before we dive head first into episode one. Don't worry; the first recap should be up shortly.

(UPDATE: The first entry is up and ready for you to read.)

Now then, let's talk some personal history. I, as you probably know already, am a big fan of giant robots (though honestly, who isn't?). But despite this, up until recently I've viewed the Gundam franchise with mild curiosity. I'd heard of several of the series and tried (through various internet means) to get into the franchise but it didn't stick for the longest time. What kept my fascination for the series was not any series or toy or manga, but the 1/1 scale statue that was unveiled for the Gundam franchise's 30th anniversary.

Now I know what your saying, hypothetical reader. "It's Japan, man! They all 'bout them giant robots!" That's true to a point, but most giant robot franchises don't get entire public works projects dedicated to them. That, to me, means your franchise has gone beyond being merely popular to being a national pop culture institution, like Star Trek is to the U.S. or Doctor Who is to England. On that alone, Gundam generating what the philosopher Lewis Black would identify as "a Big F*%$#ing Thing", has kept this franchise in my mind. Then I happened to read this post and here we are.

Now I've already done a piece on Gundam Build Fighters on this blog, so I'll do my best to not repeat myself. I short I love all 25 episodes of the series. It's not a transcendent art piece or even the best example of storytelling anime has to offer, but it is a show made with a kind of love and care that's extraordinarily endearing to me. You should watch the show yourself and then force down the throats of all your friends and family until we are all Gundam fanatics. It is what our Alien overlords demand. Consume. Consume. Consume.....

Sorry about that.  Don't know what came over me. Just ignore that. No cause for alarm.

Now, let's talk about the main conceit of GBF. The show centers around gunpla (shorthand for Gundam plastic model), the primary toy line for the Gundam franchise since Bandai got the merch rights for the original Mobile Suit Gundam in 1980. They're basically toy robots you build yourself. They are a variety of sub-lines and scales you can get them, with each higher scale (1/100, 1/60) getting more expensive. The show centers around this and a fictional game called Gunpla Battle.

Now, this is where things get a bit insane. You see, Gunpla Battle is actually getting the models to "come alive", so to speak, fight each other.Yes, you heard me.  This is done by way of Plavsky particles, basically a magical blue energy that does the following:
  •  allow the toys to move 
  • create hologram controls that the players can interact with the toys (though I could be wrong about that), 
  • generate effects for explosions, light beam sabers, thrusters, laser blasts, ect.
  • create the various fields the battles take place on (forests, deserts, outer f*%$ing space, ect)
God bless giant robot-on-giant robot violence

Oh, and did I mention that the effects generated by the Plavsky particles could actually inflict real damage on the Gunpla themselves? Because they do.

You know, the more I think about it, the more I'm convinced Charles Band would have been all over adapting this back in the day. You know, if Charles Band ever has even heard of anime.

And that's all I've got to say for now. Like I said before, the first entry should be up soon, so keep your eyes open for it.Though, I think you guys might be wondering what the hell is with the title. Well, let me leave you with these words: in the world of GBF, Gundam is not just a hobby, it is a religion.



Dominus Nostrum Gundam: Gundam Build Fighters Ep 1 "Sei and Reiji" Recap

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(Author's Note: This is a recap of episode one of Gundam Build Fighters, but is not the first entry in this article series. For anyone who has no idea what the hell any of this is, go to the primer entry for any basics like Gunpla and Gunpla Battle. Also, the entire series can be found legally on YouTube, so go check it out if you can stand cartoons with subtitles.) 

In the world of Gundam Build Fighters, Gundam is not a hobby; it is a religion. Throughout this series we will encounter the obsessive, the fanatical and the downright insane people who engage in the fandom of this franchise. We will see boys use toys as means of monetary reimbursement, watch grown ass men use playthings to flirt and watch a whole lot of plastic model on plastic model violence. Today's entry will be a relatively tame entry of what is to come. It's the pilot episode, so it has a lot to introduce in its scant run time of about twenty four minutes (subtracting out the Gunpla advertisements). So I welcome you to the first entry of this recap series dubbed Dominus Nostrum Gundam, and the recap of the first episode of Gundam Build Fighters, titled simply "Sei and Reiji".

--RECAP START--

We open on a damaged giant robot (what looks to me like a RGM-79 GM) floating in space whilst starships engage in an exchange of laser fire with an off screen enemy. An unknown voice reports that "they" have broken through their final defense lines. Two other giant robots come into frame during this announcement, but I can't identify them. Suddenly, a fourth giant robot is raised from one of the ships (the White Base looking U.N.N Spacy Alvion) while a female voice announces "Launch the Gundam! Launch the Gundam!"
You know, a giant robot would have made Star Trek: Voyager way more interesting.


We then see into the cockpit of said giant robot, with a mustachioed man in a space suit saying, through "We're counting on you, Iori" through a video screen. Said Iori, who looks to be a teenage boy, responds that he totes got this and announces that he and his robot, named the Build Strike are launching.



So all in all, this is stereotypical for anime, right? All that's really missing is a cat girl and gratuitous amounts of fan service. And it does go on like that of about half a minute, with the Build Strike launching and our hero, full name Sei Iori, about to engage a couple of Zaku II units (the Imperial Stormtroopers of giant robots) and about to fire the Build Strikes giant rifle when the voice of his Sei's father intrudes. And while other voices would probably tell Sei to use the force, Papa Iori informs his son that he can't win since the Build Strike's arm wasn't properly snapped in.


Don't you just hate when that happens?
One of the Zakus knocks the loose arm away and preps to fire on the Build Strike, Sei paralyzed in terror at it all. Then, as if the snap assembly arm for a giant robot weren't proof enough, Sei wakes up in the safety of his bedroom. He looks at the Build Strike, which we discover is simply a toy he hasn't built the right arm for. Sei's mother then calls to him to mind the store for her. And with that, we are welcomed to the world of Gundam Build Fighters

 After a cut for a commercial break, we see Sei's mom, Rinko, off to go to the store. She informs her son of this by framing it as a supply run and making a reference to Mobile Suit Gundam: The 08th MS Team. It's also here we find out that Sei's family runs a hobby store called, appropriately enough, Iori Hobby Shop.  There's a brief sitcom-esque bit about Sei's preference for Sukiyaki over vegetable stir fry before she leaves and tell him to be nice to the customers. Once she leaves, Sei bemoans that his father never learned one of the most important rules of running a small business: location, location, location. Like many a mom and pop business in fiction, the Iori Hobby Shop is basically a freaking' ghost town most of the time. 
Cue the tumbleweed
We then cut to a world upside down.
Two minutes and thirty seconds in and things have already gone topsy turvy.

Actually, this is just a bird's eye view of Tokyo. We see another teenage boy, with wild red hair odd looking clothing, talk about how amazing skyscrapers are. He also is apparently doing this while lying on what looks like high steel. Sadly Dr. Peyton Westlake will not be showing up today, just some random beat cop telling this weird kid to get the hell off. Our mystery boy proceeds to insult the cop, stand up on the high steel and point to the horizon. He then says that he's decided where to go, turning to show off his good side.
After finally getting a title card, we cut to a little boy and his father coming into Iori Hobby Shop. The little boy is in awe of the display of the Gundams that are on display and Sei admits he built each one of them himself. Something called Gunpla Battle is mentioned, and that's gonna be important in a few sentences, so let's leave that for later. Sei dithers on the subject of Gunpla battle when the father notices a trophy on the top shelf of the display case. He assumes it's Sei's, but the kid assures that it's his dad's, Takeshi Iori aka "Sir Not Appearing In This Episode (Save For Flashbacks)". The little boy points out a Gundam and asks his dad which one it is, but the father sadly cannot remember. But fear not, young child! His Royal Nerdiness, Sei Iori, is here to give all the info on Gundam, whether you want it or not. 

You see, Sei is something of a Gundam fanatic. Upon hearing the question, he goes on to identify it as the Wing Gundam, talks about its transformation abilities and weapons, and then goes onto tell the back story of the Gundam before the father has to stop him. Had he gone any further, Sei probably would have gone on to talk about the entirety of the Wing Gundam series and recommend good fan fiction for them to read. As it stands, Sei just slinks off embarrassed while the boy says he want the Wing Gundam.

With no giant turtles to befriend, the children of Japan had to settle for time with their parents and toys.
Then a kid in a purple vest comes in to spoil the fun.
"Hi there! I'll be your smug douche for the remainder of the episode."
The kid's name is Sazaki, and he's here to serve one purpose: to show how lame Sei is at this world's favorite past time, Gunpla Battle. He does at least praise Sei's building skills, though. I suppose that's something. But Sazaki is the embarrassing Sei business, and as good Ol' J.R. once said, business is about to pick up. 

Sazaki goads Sei into a Gunpla battle, and the customers wanna see it go down. Since the customer is always right (no matter how annoying or childish the customer can be), Sei agrees to a Gunpla battle with a little help by Sazaki calling him chicken. In the words of Mills Lane, let's get it on!

Nerd Fight! Nerd Fight! Nerd Fight!

1st Battle: Susumu Sazaki vs. Sei Iori Field 3: Forest

Sei and Sazaki begin their Gunpla battle and it's basically a curb stomping. Sazaki's Gyan wrecks Sei's Wing Gundam, making the boy observing all this change his mind on what Gunpla he wants. Sei looks down at his broken Wing Gundam and gives out a reserved sigh.

Battle Ended. Winner: Susumu Sazaki

His minuscule ego deflated, Sei bids the customers farewell with their new Gyan and goes to clean the store. Sadly, Sazaki refuses to leave, trying to get Sei to team up with him so they could totally rule the Gunpla Battle scene. This is apparently a conversation he and Sei have had many times, since Sei gives him the same response he's probably given  a thousand times before: piss off and stick your Gyan where the sun don't shine.



Okay, so he just tells him that he's too rough in battle, but my interpretation is heavily implied. Either way, Sazaki just calls Sei stubborn and tells him to think on a partnership if he wants to win anything with his sorry skills before walking away. Sei goes back to wiping the windows of the store and proceeds to brood about his lack of prowess in the field of fighting with toys. He then has a flashback to watching his father at the Gunpla Battle Championship World Tournament and goes down further the Tunnel of Brood wanting to fight as well as his dad did. Rinko finally comes back, asks Sei what's with all this sulking, and Sei simply goes for a walk into town. 

After another break, we find ourselves watching a commercial for the 7th Annual Gunpla Battle Championship. It's essentially random Gunpla fighting and destroying each other. Sei watching this in the town square and has a mild panic attack (well, mild for anime) at the sight of all those powerful, powerful toys. He sits on a bench, heading back down  to Brood Boulevard and wondering what he can do to win battles, when suddenly... oh hi, Reiji! Haven't seen you in awhile. How's you sex life? Ha ha ha ha ha ha ha.
A bromance born of witty dialogue

Reiji starts talking to Sei, asking just what the hell is with this video with all the robots killing each other. Sei is genuinely shocked that someone could have never heard of Gunpla battle, and drops some exposition on Gunpla and Gunpla Battle while scenes from the commercial (the one shown just a few minutes earlier) play. Considering it for about three seconds, Reiji likens Gunpla battle to mixed martial arts. And I'm just gonna say, as someone who has participated in mixed martial arts (to the point of earning my black belt in it) I can safely say that Reiji is a moron. If anything, Gunpla Battle is something more akin to something like Disney Infinity taken to an insane extreme. Sei proceeds to respond with a dismissive "eh, kinda", and immediately tries to figure out who the hell this guy is. Sei's stomach grumbles, Reiji offers him some of the bread he's eating is to Sei. Sei declines and Reiji proceeds to walk off, probably never to meet Sei again....

....Until an angry shopkeeper shows up and accuses Reiji of theft. Reiji naturally takes umbrage to this accusation and just says he saw the stuff displayed outside and took one. The shopkeeper bellows that it's called storefront sales and he can't just have people taking his stuff. Which make me hope that out unnamed shopkeeper isn't working the store alone, since the rest of his display is probably being raided if it is. Sei, not wanting this strange kid to get in any serious trouble, offers to pay for the bread.

We then cut to a bit later in the day to a playground, with Sei introducing Reiji to the wonders of soda. Reiji apologizes for the whole accidental theft thing, but Sei brushes it off as no big deal, given Reiji's obviously a foreigner. But our red headed stranger will not let this act of kindness go unrewarded. He hands Sei a seafoam green jewel before the two introduce themselves to each other proper and Reiji tells his blue-haired good Samaritan to wish on that rock if he's ever in trouble, and he'll come no matter what. As he says this, he raises up his arm, showing a gold bracelet with another seafoam green gem on it. He then proceeds to disappear. I guess that week at Batman camp last summer paid off.

I will never desert you/ I'll stand by you

After a brief scene at Sei's school, we head back to the Iori Hobby Shop where our intrepid nerd has finally finished his custom Gunpla, the aforementioned Build Strike. Rinko admires it, saying that the toy has the same aura about it as the models Sei's dad built. Sei takes some pride in his mother's assessment, and like a hungry shark that smells blood in the water, Sazaki shows up for Sei's daily dose of defeat. The scene where he enters the store, by the way, is the exact same one he had in the earlier episode, just with the sky changed to dusk yellow.

No, this recap still has a few paragraphs to go.
Sazaki practically drools over the Build Strike, excited to fight with what he sees as his Gunpla already. Sei, naturally ticked off, tells Sazaki he'll beat him in a battle with the Build Strike, even putting the custom model itself up as the prize for the fight. With this, from behind the shelves of models, a voice comes out saying that he's heard enough. Ral shall be the judge of this battle. 
"This is no Agony Booth, boy! No Agony Booth!"
No no no! Not that Ral, the other Ral!

Yup, that's the guy. 

So, yeah, this Mr. Ral. He's essentially Ramba Ral from the original Mobile Suit Gundam series (up to getting the original voice actor of Ramba Ral, Masashi Hirose, to voice the character) as a suburbanite Gundam enthusiast. He'll be our mentor figure for the remainder of the series, so you'll be seein' a lot of him and his glorious mustache. For right now, he'll be sizing up Sazaki and providing commentary for our upcoming bout. Also, he'll be fulfilling the role of an extremely less pathetic Bill Dauterive by having a not-so-secret crush on Rinko. 

But enough character intro, let's get to the fighting. 

2nd Battle: Susumu Sazaki vs. Sei Iori. Field 2: Desert

Sazaki drops all of his weapons save for the beam sword so Sei will have no excuses when he's beat. The Build Strike dodges the Gyan's initial attack, but as Ral observers, the performance of the Build Strike seems to be too much for Sei to handle. This gives Sazaki the advantage to get behind the Build Strike and charge it. Sei does get to turn around and pull a beam saber while Sazaki is charging, but it's not good. The weapon gets knocked out of the Build Strike's hands and it's knocked to the edge of the game board. The Gyan closes in, ready to knock out the Build Strike so Sazaki can claim his prize. Boxed in, Sei can only look on in terror, calling back to the dream sequence that opened the episode. His only thought as the Gyan closes in for the finishing blow is "I don't want to lose any more!"

A familiar voice cries out "Don't give up! Move forward!" A hand with a familiar bracelet on its wrist pushes Sei's had on the right control orb, letting the Build Strike shoulder tackle the Gyan. A shocked Sei looks to his right and see the redheaded stranger who, true to his word, has come to help him out of trouble the jewel that Reiji gave him glowing like the sun.

NEW CHALLENGER! 2nd Battle: Susumu Sazaki vs. Sei Iori (Engineer) & Reiji (Pilot)

Reiji futzes around with the controls for a bit, making it look like the model to do the goofiest dance I've ever seen a toy robot do. Sazaki charges again, upset that Sei would let such an amateur pilot his Gunpla. Reiji pilots the Build Strike like he was born for it, dodging the Gyan's charge and delivering a kick to it for good measure. The Gyan slashes away, but the Build Strike evades each one, eventually knocking the beam sword out of the Gyan's hand. Sazaki flies off to retrieve the weapons he tossed at the beginning of the battle. He uses the needle missiles of the Gyan's missile shield, but the Build Strikes is too fast for it. Reiji asks if the Build Strike has any weapons and Sei relies that they do have a beam saber (a second one, not the one that got knocked away). Reiji rushes forward, dodging rifle blasts and causing Sei to flashback again to his father's performance at the world tournament. Sazaki freezing in fear, terrified at this mystery boy. The Build Strike flies across the board, beam saber raised and with one slash, it's all over.

Battle Ended. Winners: Sei Iori and Reiji

Sei is elated that his Gunpla has finally won a battle. Sazaki is distraught. Ral and Rinko congratulate Sei, but he insists that he wasn't the one who won. He looks for Reiji...but he's nowhere to be found. As the credits for the episode roll, Sei runs out into the night, looking for his mysterious new friend, thinking...no, knowing that he has found the person who can bring the best out of his Gunpla. But he does not find him.

Well, until he heads home and discovers Reiji stuffing his face, here to battle with Sei.

--RECAP ENDED--

So now that we've made it through the first episode, met out main characters and setup the world the series inhabits. None of the characters come off as extremely unlikable (even Sazaki, smug prick that he is, isn't as terrible as he could have been). Sei and Reiji immediately come off as people who can work off each other both  the comedic and dramatic senses while still being their own characters, complimented by each other rather that one hogging the spotlight from the other. The fight scenes are sparse but still are incredibly well done, which really helps me to forgive some of the more flagrant shortcuts (i.e. Sazaki's second entrance). All in all, a very good episode and a damn fine start to the series. 

I'll have more to say in these post episode follow-ups, so keep your eyes open for the next entry of Dominus Nostrum Gundam. We'll expand or main supporting cast by two people, see a high school gymnasium with a game board for playing with toys, and we are introduced to a new music sub genre: techno-flamenco.

-P.S. During the opening dream sequence, they misspell launch as "lunch". It's nothing that important, I just find it mildly interesting.


Older And No Wiser

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There are days when, without rhyme or reason, I'll feel a flash of memory of my popcult consuming past. It's strange and random thing, making me question how I can even remember such things since they only took up a small portion of my life. The biggest example I have is CarnEvil, an arcade shooter of which I'd only had ever seen its cabinet and mascot, Umlaut, until I saw Ross Scott's playthrough of the game on YouTube last October. But that Clown head and cabinet flash in my head every so often, forever burned in my long term memory.

Same thing happened to me today. Most likely triggered by impending election (and my state's loathed governor Scott Walker announcing his candidacy) , my mind flashed to something I hadn't watch in at least half a decade. Said something is the above video, JibJab's 2004 political take on the This Land. Watching it again for the first time in years, I was surprised that it and the subsequent two videos (their 2014 year in review video and Big Box Mart) had a minimal effect on me*.

As I finished my brief foray into past distractions, I realized that JibJab and I had parted ways. I wasn't shock or horrified that I had once liked this stuff, but I was okay with letting go and moving on to my scores of other distractions. To alter a phrase from Roland Deschain, we all move on.

* Save for the Big Box Mart video, which only affects me due to my current employer (hint: orange smocks).

I Know What I Like: Simply AC/DC

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You know, I only have the vaguest clue on the current public opinion on AC/DC. I've never really engaged in larger fandoms (either through the internet or personal contact) for quite a while so my intelligence on the subject could be wrong. but from what little I've gathered the opinion seems to skew on towards the following statement:

 "Eh, those guys haven't evolved/changed their sound since 1980. Who cares 'bout 'em? Hey, you wanna listen to this new alternative/indie band that no one will care about in less than five years?"

*Okay, the last sentence may just be my own prejudices on the the majority of indie rock.*

The logo that has graced the t-shirts of teenagers and middle-aged bikers alike

Me, I actually like AC/DC. No, their style and sound hasn't changed since the days of Reagan and Thatcher, but to me that just presents the band as a bunch of guys who are extremely comfortable with who they are and what they do. Sure, having one of your albums be one of the highest selling records of all time probably helps out with that, but that kind of relaxed energy AC/DC gives off fascinates the hell out of me. While I'll will admit their sound can wear on you if you expose yourself to too much of it (their latest album Rock Or Bust has its share of redundant/filler songs) but they're still probably one of my favorite bands.

Hey, this series is called I Know What I Like, people. You want definitive guides to

I can't really explain why this is, but their sound and energy when they're on the ball has to be one of the most infectious things I've  experience in in music. I really didn't get into them (even though their songs have been everywhere since Back in Black dropped in 1980) until 2013. or so. And I can remember perfectly a point when I was driving home from work late at night when I realized that high school aged me should have discovered this instead of early to mid 20's me. Sure, relatively adult me loves them, but teen-aged Jordan would have adored the band, putting them as a burgeoning obsession along with comics and science fiction.

Wait, I should probably talk about the song I featured in the post, shouldn't I? It's Rock And Roll Ain't Noise Pollution, One of if no my favorite tracks in Back in Black. This song, to me, perfectly epitomizing what AC/DC is: men as comfortable on stage as they would be singing in some local pub, singing about the glories of rock n' roll. While the life of rock has been in question since at least the mid-2000s, I'm pretty sure AC/DC will live on well after the members of the group are gone.

Dominus Nostrum Gundam: GBF Episode 2 "The Crimson Comet"

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The first recap seems to have gone over well, all things considered. Well, relatively well. Okay, at least people weren't calling for me to be tarred and feathered, and that's good enough for me. So let's keep this crazy train rollin' and recap the second episode of Gundam Build Fighters. Olé!
Reiji's philosophy: Eat, Sleep, Conquer, Repeat

-- RECAP START--

We start off Sei heading off to school and Reiji sound asleep. Sei's pissed since, in the night he's had Reiji over, the red headed stranger has dashed Sei's hopes at Gunpla Battle glory. Since he won the battle against Sazaki last episode, Reiji has paid Sei back already, so his career in toy fightin' circuit is over. Also, he crashed at the Iori house and thought that meant "mi cama es su cama" and kicked Sei out of his bed for the night.


After Reiji finally wakes up and asks Rinko what school is, we find Sei doing what many a young boy does during class: sketching in the notebook. As he inner monologues about equipping the Build Strike for the championship, the teacher calls on him to answer a question. Sei proceeds to rattle off worries over the rifle he's making for the Build Strike. Upon realizing this, he quickly answers two thirds,despite  the fact he was in lit. class.

Dignity, thy name is Sei

After a brief scene of Reiji working in the hobby shop to repay the meal and free board Rinko gave him last night, we cut to Sei in study hall still obsessively working on how to make the Build Strike better. Then the excited shrieking of teenage girls informs us of the introduction a new character, Yuuki Tatsuya, president of both the student council and the school's model building club. We also get the name of another character, China (pronounced "chee-nuh" and not like the country) Kousaka, who was in episode one in that brief scene talking about the gem Sei got from Reiji. China's going to be important later, but for now let's focus on Yuuki and his invitation to Sei to come to the model building club's room.



At said room, Sei gushes over all the Gunpla on display, drooling over a particular Zaku I Yuuki built. Yuuki goes onto say he's a fan of Sei's work in the noble arts of model building and while Sei assumes he's been brought here to join the model building club, Yuuki admits no and asks Sei about the Gunpla Battle he had with Sazaki at the end of episode one. He's impressed with that since Sazaki is famous for his skills at the game. He asks if Sei is entering the upcoming tournament, which he (Sei) is, and Yuuki voices his excitement over the prospect of fighting one of Sei's models. Sei admits that he'd never stand a chance against Yuuki and concedes to the fact that he wasn't the one who beat Sazaki.

Speaking of our mystery boy, Reiji pops up on at the to look for Sei and introduce his endless appetite to China, who's having lunch with her friends outside. He runs into the huge guy who tells him he's trespassing on school grounds. Reiji reacts to this with same tact he'd displayed with the shopkeeper last episode and proceeds to piss said dude (who's a student council member in charge of security for the school) off to no end. China runs off to go and find our blue-haired alpha nerd, who's talking with Yuuki about Reiji. China busts in, points Sei to the window to see that an off-screen fight broke out with Reiji and the big dude, and it's ended with Reiji putting the guy in the Boston Crab.
Reiji's  audition for the wrestling team is going very well, I see


We cut  Sei, Reiji, Yuuki and Gonda (the aforementioned big dude) in the model club room. Yuuki's covering for Reiji, saying that  he invited the guy based on his Gunpla Battle skills. After Reiji insults Gonda by calling him a gorilla (a running gag that really doesn't work) Gonda suggests that they have a battle to show off this mystery kids skills. And sure enough, it's on, with Sei, Reiji, Gonda, Yuuki and several dozen members of the school heading to the gym after school to see toys fight each other.

Now, let me repeat what I just wrote: Several dozen members of the student body are heading to the gym to watch toys fight! Not only that but the school gym has one of the Gunpla Battle boards (a much larger one than the one in hobby shop), is just there in the gym for them to use. Now they explain that Yuuki's family is rich and basically paid for the damn thing, but that really just goes to show how entrenched into society the Gunpla Battles are at this point when people are bribing schools to let the game boards be used. To put that in perspective, imagine a high school not only allow Magic The Gathering or the Pokemon card game to be played on campus, but having a specialized desk for them to fight on.

And to top all this off, we're still in the relatively normal part of the show! we haven't even gotten to point where grown ass men use toys as a way to pick up chicks, the agony helmet or origins of the whole plavsky particles. This is why I called this series Dominus Nostrum Gundam, people: the more you dive into it, the more you realize Gundam is a religion in the world of this show.

Anyway, our red and blue odd couple prepares to face off with Gonda and we see China in the rafters with the other students. (How any of them are seeing the battle from as far away as they are is anyone's guess. See comments on how beautiful the plavsky particles look when Mr. Ral suddenly shows up right the fuck out of nowhere to drop some exposition on said particles. Chin asks herself "Who is this guy?" and I'm wondering what the hell Ral is doing showing up at a high school. Is he just there whenever a Gunpla Battle starts within a 10 mile radius?

Whenever there's a child in need of exposition, Ral is there


Enough digression. Let's get ready to (watch toys) rumble!!!!

1st Battle: Monta Gonda Vs. Sei Iori & Reiji. Field 5: City

Gonda's fighting with a gold painted version of the MRC-F20 SUMO mobile suit from the series Turn A Gundam while Sei and Reiji are using the Build Strike. Sumo fires a few rounds from a laser gun it has but the Build Strike dodges them effortlessly. Then they start busting out the melee weapons, with Sumo using a heat fan, which looks like something you'd find at the end of a lance in a Final Fantasy game. The Build strike counters with its beam saber and kicks Sumo away. It goes back to a shooting match until Reiji shoots the guns out of Sumo's hand with the Build Strike's Vulcan Guns (guns mounted into the side of the Gundam's head).

One quick cut to the reactions of Ral, Yuuki and China, and the boys have lost track of Gonda. He's taken some high ground on a building and blasts at them with a green laser cannon mounted on Sumo's left arm. The Build Strike dodges the shot, impressing

Then something odd happens. See, Gonda's last shot blew hole in the ground. This would be nothing to sneeze at if the city were not, in fact, also part of a space colony. So in order to maintain realism, the game performs a stage change and begins to depressurize the colony. Yes, I said depressurize, meaning the Build Strike is being suck towards the whole and, presumably, most likely to either get stuck in the hole or be blown out (in pieces) into Field 1: Space. And l of this is from what's essentially a holodeck for fighting with toys.

This series is freakin' insane and I love it for that.
This really must blow for our heroes.
I'm sorry. *Goes off to smack self for three hours*


Sumo's not getting blown anywhere since it has some spikes in its feet. Gonda charges its mega cannon or whatever it is at the Build Strike, looking to end the bout in one shot. Sei then tells Reiji to charge as at the Sumo while it's charging its cannon. Gonda decides to back away, giving up his footing. Sei tells Reiji to charge and, with beam saber in hand, the Build Strike turns on its jets and stabs Sumo in the gut, causing it to explode.

Battle Ended. Winner: Sei Iori and Reiji.

Well, that was exhilarating, wasn't it? Not bad for the Build Strike's second bout and I did love the twist in the environment becoming an obstacle. All in all a good fight, I'd give it a 3 1/2 out of fiv...

...uh, Yuuki, what are you doing?
Oh,come on it wasn't that quick


Okay, so it seems that Yuuki's going to battle too. Alright.

2nd Battle: Yuuki Tatsuya Vs. Sei Iori & Reiji. Field 5: City (w/Stage Change)

As Yuuki preps himself or the fight, Ral gives off some exposition about Yuuki making it to the World Tournament last year where he, with his Zaku Amazing (a modified Zaku II High mobility type) got his nickname, the episode's eponymous "Crimson Comet". We're also introduced to Yuuki's theme The Crimson Comet~Three Times The Passion of Ordinary Flamenco. Because when I think music fit for toy fighting, its flamenco crossed with a techno beat. I kid of course; the theme's ten types of awesome. Give it a listen for yourself.

Anyway, onto the battle. It's a melee bout, with both Gunpla dual wielding; the Build Strike wielding it's beam sabers and the Zaku amazing with a set of heat nata, super-heated rectangular blades which look like giant meat cleavers. Despite its stocky appearance, the Zaku Amazing's incredibly quick, throwing Reiji off. Yuuki essentially employs a hit-and-run game on the Build Strike, Disarming it of both its beam sabers. Reiji ad Sei go for the Vulcan guns again but Yuuki dodges every bullet. When the Zaku Amazing gets close, the Build Strike tries to kick but the Zaku Amazing employs the most devastating move it can: sweeping the leg.

And with that , the fight's over , the Zaku standing over the Build Strike with a heat nata at its throat, ultimate defeat only avoided thanks to Yuuki saying they should stop since he doesn't want to damage the Build Strike.

And that fight (from the first charge to the Zaku standing over the Build Strike in victory)was, by my count, forty four seconds long. And Yuuki dared to call the last match short; at least that last longer than it takes it reheat cold pizza.

Battle Ended. Winner: Yuuki Tatsuya. 

Most of the attendees go to congratulate Yuuki while Ral waxes philosophical about how quickly victory can become defeat in battle.Bot Sei and Reiji look on in disbelief, and the subsequent walk home has them talking about Yuuki. You see, in fa flashback scene that did not need to be a flashback scene (ti seriously should have come directly after the fight was one) Yuuki told them that the Build Strike seemed incomplete and want to see (and fight) their perfected Gunpla in the tournament. Reiji, incensed by Yuuki's barging in, tells Sei that he will fight with him in this battle of toys, if  only to pay Yuuki back for humiliating them. This leads Sei to wonder if that was the point to Yuuki's barging in, and we cut back to Yuuki, looking at his Zaku Amazing and finding a crack in one of the heat nata. He smiles at this, confirming Sei's suspicion (to the audience anyway).


Sei's excited and declares that he will build the strongest Gunpla in the whole wide world.

Then Reiji starts to glow and beams away in front of Sei's eyes.
"I must go now. My planet needs me."


Sei take this well.
The boy speaks for us all

--RECAP ENDED--
This episode begins to expand our view into this world warped by Gundam and Gunpla ever so slightly. It's still small scale, with our view limited to the inconsequential goings on of junior high and high school students, but we get to see just how much Gunpla and Gunpla battle permeates life into this world.  The model building club, the game board that's in the school gym, and  the fact that they could get that many people to show up for an exhibition match on the fly shows us that this is a Gundam world and we're just watching it.

I didn't really go into China during the recap, but she's going to prove an important function for the series: she's the outsider looking in, new to this whole mess and just as flabbergasted as the viewer. In short, she's the audience's surrogate into the world of Gundam Build Fighters, an integral role for this since Reiji doesn't care all that much about Gunpla and Sei was a full convert to the Church of Latter Day Mobile Suits before we met him in episode one. She's one of my favorite characters, to be honest, but let's table any discussion of her for a little later.

Now let's take a look at the future Meijin Kawaguchi, Yuuki Tatsuya. He's probably the blandest out of all the cast members we're going to see, but that's not really a knock against him. Guy's just surrounded by a bunch of extremely interesting and high energy characters. Otherwise, he's actually not as annoying as he could have been. They could have just as easily made him a completely confrontational jackass even more obsessed with Gunpla than Sei, but instead they went with a genuinely nice guy who goes into bouts of fiery jubilation during a good match. That I find interesting, since it means the creators decided early on to zig where most other Shonen and tournament focused anime zag.

Speaking of which, we should talk bout something else: stakes. See, right now, the stakes are fairly low, really only involving the prides and egos of our fighter. And they will (save for a few moments) stay that way throughout the series. There's no threat of the Iori Hobby Shop being closed down, no need for anyone to win prize money for relatives live saving surgery, not even a village that will die of thirst if a contestant doesn't get enough money to buy a crap ton of water. And I love this. Sure, it kills the tension a bit, but it does mean that for the most part, this series will keep a lighthearted tone from beginning to end. And, let's face it, for a series that mainly focuses on toys doing battle, that's more than likely a necessity. This may seem like a fault, but it means that our investment lies solely with the characters and their personalities. And trust me, these maniacs can keep you invested.

So come back next time when we head to a Zeon bar, learn Reiji's backstory and finally see the complete Build Strike in episode 3 "Full Package".


700 Year Old Bloodsuckers and the Little Girls Who Adore Them

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Looking back at one's past entertainments with a (slightly) more mature outlook can be an eye opening experience. You can discover deeper aspects to the things you loved, better understand why you thought something sucked and receive a hash splash of cold water onto the things that have become problematic to your eyes. If one is going to do this, I would personally suggest you brace yourself for the third option, since it's more than likely something a five year old you will seem utterly incomprehensible or just plain bad to twenty five year old you.

Besides, bracing yourself will let those thing that still work after all these years surprise you. And don't we all like good surprises?



The short above, called Mina and The Count, was on constant rotation back when Cartoon Network showed shorts from their What A Cartoon! show/testing ground for pilots to fill out their schedule. I was kinda floored by both how much this was still funny to me and how creepy it was, especially for  a cartoon aimed at a young audience. There were other shorts produced when the concept was moved to Nickleodeon, but for my money, the first is probably the best out of all them. 

Dominus Nostrum Gundam: GBF Episode 3 "Full Package"

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Author's Note: This recap is late due to the inconvenience of sloth, the easiest deadly sin to commit. The author would like to apologize for this and hopes you enjoy the recap regardless. 

Hey Hey! Hope you’re ready for some powerhouse excitement and laughs, because we've got a real classic for ya! Yes sir, we got all the fixings: wall to wall action! Romance! Drama! People flying around on unicorns while firing Gatling guns made of candy canes that shoot fire breathing kittens at people! You gotta see this!


Okay, so it's not a real classic, but it is still a solid episode of the show. So strap yourselves in and brace yourselves, because Gundam Build Fighters is about to deliver the Full Package.

-- RECAP START--

We start off with a battle already in progress, as Ral seems to be training Reiji on the finer points of getting plastic playthings to beat the hell out of each other. Reiji using the Build Strike, of course, and Ral is utilizing a MS-07 Gouf, true to his character. He goes into a speech that feels like it's leading into an epic beat down, but Reiji just slices through the antiquated Gouf with ease, ending the bout at thirty seven seconds. Ral admits he's impressed but tells Reiji that it wasn't his own strength that won the battle, but Sei's craftsmanship but Reiji just brushes it off that it was Ral's Gouf was simply outdated.

Oh, and speaking of his royal nerdiness, Sei's just gotten home from school. He silently walks into the Gunpla Battle room and drags Reiji back to his bedroom. Sei closes the door and, flashing back to Reiji seemingly being beamed back to the mother ship at the end of last episode, simply asks one question of our red headed stranger: WHO THE F*&^% ARE YOU?!



Now's probably as good a time as any to talk about the show's first theme song, One Half ("Nibun no Ichi" in the original Japanese). It's your standard issue modern anime theme, or about a close as you can get. The lyrics all peak of this bond between two people and how that will help them take on the world. It fits perfectly with the theme the show's got going on with Sei and Reiji. The only real downside I find is the rap breakdown with its sudden use of random, in your face English phrases. Otherwise, it's pretty okay. Give it a listen


Cut back from a commercial break and we come to Reiji's back story, and this, my friends, must be seen to be believed. For you see, there is a logical explanation to Reiji's general weirdness and the whole getting energized at sundown thing from episode two: Reiji is in fact a prince for another planet. Yes, really. He is the heir apparent to the throne of the kingdom of Arian, a land on a planet far away from Earth. While looking through the palace treasury, he discovered a mysterious treasure and ended up on our little blue-green orb. Now, like an alternate universe version of John Carter, he's able to visit Earth and participate in that most noble of pursuits: helping out some nerdy Earth boy win toy fights.

Oh, and did I mention the entire scene was drawn in the style of a child’s crayon sketch?
Scene provided by Kenny Matsuda, age 8

Because it is.
This crayon drawing give's Reiji more realistically colored hair than the show does


Sei, naturally, just thinks Reiji's either mad or lying to him, but Reiji's insistent that all of what he said is true. Sei does indulge Reiji for a bit, asking him to either take him to this place (which Reiji can't do) or show off some superpowers, which Reiji reacts to by saying Sei reads too much manga. Reiji starts to walk out to mind the store, reminding Sei has more important things to focus on: finishing the Build Strike. Sei agrees and then Reiji says he'll be taking some time off starting tomorrow.

Cut to Sei and Rinko eating dinner, discussing Reiji's origins. Sei just thinks it's all weird, but Rinko tell him to not worry, since it's more important that Sei wants to play Gunpla Battle with him. Sei agrees to that point and we head into a montage of Sei working on the Build Strike. We get everything: Sei sketching the Build Strike's upgrades, staying up late to work, sleeping during class, painting Build Strike's beam rifle, ect. It's everything you'd want out of a collection of scenes of a boy building a toy to fight.

Meanwhile, we catch up with Reiji, who's meeting up with Mr. Ral one evening. They're heading to a place which I can only describe as a Zeon Gunpla bar. It looks like a pretty high end place, with a  large-ish Gunpla Battle board (larger than the on in Iori Hobby Shop, smaller than the one in the high school form episode 2). Ral walks Reiji in while talking about the people in the bar being old school Gundam fans, and the sight of everyone (save the bartender) dressed in Zeon soldier cosplay confirms this. Some of the guys notice Ral, start calling him Lieutenant and give him the usual welcome for Zeon fanboys.



Ral introduces the crown prince of Arian to the cosplaying barflies and tells them he's here to fight. They're somewhat incredulous, especially when Reiji admits he's never built a Gunpla in his life, but Ral's insists Reiji's the real deal. And since the bar has a selection of Gunpla to rent, Reiji decides to get the weakest one they have: the RB-79 Ball, aka "The Spherical Coffin".

Behold it's majesty!


Since you don't have your most capable character lose to a bunch of no names cosplayers, Reiji decimates these guys with the damn Ball. From the he learns a few things:

  1. An appreciation for Sei's Gunpla building skills
  2. Zeon's First Cosplay Division isn’t good enough to help him get to Yuuki's level.
The barflies, not to be humiliated by a fourteen year old kid, challenge him to a five on one contest. Ral's against this, but Reiji goes with it head on.  The fight starts, but another Gunpla enters the scene, destroying Reiji's five opponents with only two shots. Said Gunpla, a modified Wing Gundam painted the colors of the Italian flag, belongs to one Ricardo Fellini, and he'll be Reiji's sparring partner for the foreseeable future.  Right now he simply wants to duel Reiji one on one. Reiji, of course agrees. 
 
Sir Not Doing Much In This Episode
One ad break later and we're in our second Sei dream sequence of the series. This time it’s a 2-3 year old Sei running across a field to meet his father Takeshi, who's finished up the RX-78 Gundam he's using for the tournament (the tournament Takeshi got his trophy, not the upcoming one). China wakes him up; telling him the teacher wants to close the room up for the night. She then goes on to ask Sei about his Gunpla and Sei goes into full detail on the completed Build Strike Full Package. China doesn't really understand any o it, but does comment on how strong the thing sounds from Sei's description. Sei goes on to talk about the Gunpla's speed when he realizes he should probably get home, so he apologizes for talking so much and heads out, asking China to not tell the teacher he was building his Gunpla at school. She agrees and Sei thanks her, heading out.

China the suddenly has a flashback to her first meeting with Sei in the very same art room. She was working on a painting of some flowers and Sei cam in looking for a chisel. He compliments the drawing and praises the colors, making China blush. She asks if Sei likes art and Sei tells her he just learned the basics of drawing so the he could visualize what was in his head. That vision: the futility of existence as represented by the myth of Sisyphus.


Well, that too.

Cut to the day of the Japan 3rd Block first round qualifiers for the 7th Annual Gunpla Battle World Championship. China's there, giving some inner monologue about how, like Creasy and death, Gunpla is Sei's art. We see to matching finishing up as well. The first is with, and I can't believe he's still around, Sazaki from episode one. And I simply say that since he's basically served his purpose to the story. But the creators will keep bringing him back in minor cameos throughout the series. I don't know; it's just odd to me. Anyway, Sazaki wins with his new Gyan and missile shield.

The other match we see is Yuuki winning against someone and having a feeling a blue balls over the opponent's Gunpla not getting him hot enough to go into his "rage mode" or whatever the hell his split personality. What, you think I'm joking? Here, have a read:


He notices China in the rafters and goes up to talk to here. He rightly guesses that China's here to cheer on Sei, and she asks why people would fight and get stuff they had worked so hard on. Yuuki responds the obvious way: they're doing so to prove that they're individual Gunpla is the very best like no one ever was. Iori then shows up, ready and raring to go but Reiji is nowhere to be found. Sei approaches the board while inner monologues to....the viewers I guess.... that he's sorry for dragging us into this. Why's Sei apologizing? No idea. If it's a reference to another Gundam series please tell me.

Sei goes onto complain about Reiji's faults and how he said he'd battle alongside him and yadda yadda yadda until our imperious redhead shows up for the match. Sei notices Reiji's hands are covered in bandages, but Reiji just tells Sei to trust him despite his weirdness, and the Build Strike Full Package goes into battle with what looks like the result of a transporter accident between a stealth bomber Gunpla

Their battle lasts about half a minute (including cutaways to other character reacting to the match) and Sei and Reiji win with one shot from the Build Strike's beam rifle. Everyone's happy and leaves for the next round next week in episode four. After the credits we get a brief scene between Sei and China at the hobby shop. China's there because her little brother wants to get into Gunpla. While Sei looks for some beginner level Gunpla for the kid (who looks to be about seven) China asks if there are any Gunpla for girls. Sei happily says yes and China gives a soft smile.





--RECAP ENDED--

As you probably guessed from the lack of battle recaps, there's not too much action in this episode. This is because most of "Full Package" is set up for the series' main storyline: The Gunpla Battle World Tournament. It also introduces another major supporting player in Fellini and sets up the Sei/China relationship for the rest of the series. For that, this episode is alright, but nothing to really write home about.

Now, then, let's not waste any time and start talking about China Kousaka. China has to be the dictionary definition of demure. She always seems shy and polite, though admittedly that's when interacting with everybody else on this show, which are all their own flavors of weirdo. She's also, as you've probably guessed from the post-credits scene, is going to become Sei's love interest for the rest of the series.

Now, remember when I said this series zigs where other series zags in terms of stakes? Well, the same is true for the romance subplot with Sei and China. With a few notable exceptions, there aren't that many overreactions to romance or storming away in jealous sadness and rage. They both basically act like normal kids (well, relatively normal in Sei's case) slowly becoming close to each other until they finally decide to actually start dating. Sei is slightly oblivious to China's affections, but it's never to the point of cruelty. And China is the one who actually initiates it in her own, shy way by trying to understand Sei's obsession with Gunpla. She's not a prize to be won or someone Sei lusts over or the nerdy best friend Sei never knew he had a thing for; she's her own person with her own goals in life and only one of those goals happens to be getting into a relationship with the main character. That may be reaching, but that's how I read it.

The relationship between Sei and Reiji also seems to have solidified in how it will go from here on out. They're full time partners now, and s such, each is going to give one hundred and ten percent to achieving their goals (winning the championship for Sei and revenge on Yuuki for Reiji). They're odd couple act will never truly go away but it will be toned down as they become true friends. It's the relationship that will carry most of the series.

Watching this series, I've started to notice some of those techniques almost all anime use to cut costs. You know what I'm talking about: speed lines to give the illusion of movement or overreaction, footage from other episodes used for flashbacks and backgrounds straight up disappearing for brief scenes. This never really becomes intrusive in the show (most of the time, anyway) and re usually there to reserve money for the show's fight scenes. Nothing to deal breaking, but I still think it's something to tell you guys about GBF should you start watching the series.

That's all I got for this episode, so come back next time. We'll encounter idols, see underhanded tactics used and get and oddly non-intrusive misunderstanding subplot when we meet Gunpla IdolKirara.

I Know What I Like: The Old Welsh Witch

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Is anyone else reminded of Phantasm by this album cover

First, a little backstory.

I work at a place up in Delafield, Wisconsin which I will refer to as The Store with the Orange Smocks. At said store (as with any retail outlet) has a P.A. system that pumps out announcements and calls from associates and managers, commercials for the store's deals and, above all else, whatever canned music the company has decided is appropriate for the area. For Delafield, it's mostly a rotation of The Best (and Also-Rans) of the 1970s, Now That's What I Call Being A Few Years Behind the Times, Simply Having a Wonderful Christmas Shopping Spree and the recent addition  Modern Country Music Fridays (i.e. "the day Jordan tunes out the music"). As you also can expect from a major retailer, repetition of songs (at least once a day) is to be expected. My personal favorites of the rotation is B(AR)70s with SHAWCSS in close second. It through this system of that I first heard the song Rhiannon.


No I'd encountered Fleetwood Mac before hearing Rhiannon, Go Your Own Way, Little Lies, Tusk and Landslide are all pretty good songs to me, but none of them actually piqued my interest in the band proper. But Stevie Nicks' ode to figure of Welsh myth is what actually got me even slightly interested in the band. Even then, I didn't actively hunt down their albums until last weekend, when I was in a Target looking to speed ten dollars worth of gift cards. I bought both the Fleetwood Mac's self titled 1975 album and Purple Rain for ten bucks and some change.  

The song grabbed me immediately thanks to opening riff by Lindsey Buckingham and John McVie. From there we head into the song proper, where Stevie Nicks' lyrics give off  an air of something that's both haunting and alluring. You get the feeling that the song should be soundtracking a quiet driving scene in a horror movie.  It gives you the vibe of coming cold weather, falling leaves and long nights; cold and dark nights where you're sure you heard someone call out your name in the wind. "Jordan, come with me......

Sorry, got off track there for a bit.  The song, above all else, is atmospheric in a way that you don't usually get out of music, either in 1975 or 2015. The lyrics sell the hell out of its October feeling with the witchcraft allusions like:

Takes to the sky like a bird in flight and
Who will be her lover?

And

All your life you've never seen 
A woman taken by the wind

Which gives off the image of Rhiannon being a phantom in the night, to be glimpsed for probably only a second and gone in the blink of an eye. It's ff somewhere else, haunting some other fool walking in the late night. And yet you swear you hear her voice...

Okay, I just have a desire to write a ghost story bouncing in me. My apologies. 

Dominus Nostrum Gundam: GBF Episode 4 "Gunpla Idol Kirara"

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Welcome back, my friends. Today we're going into the realm of pop music and foolish misunderstandings, so let's not waste any time. Put your hands together and make some noise for episode four of Gundam Build Fighters, "Gunpla Idol Kirara"!

-- RECAP START--

We start of in medias res, with the Build Strike fighting a red Marasai piloted by two dudes without names. The Fight lasts a good forty five seconds before the Build Strike wins with one beam rifle shot. Then we cut to a dark room with a guy in a lab coat looking at slides of the fight. A second guy, who's off-screen right now, talking up the stats of the Build Strike. They're both impressed, especially with Sei's skill at Gunpla building, noting that he'd probably reinforced the Build Strike's shield with thin plastic board. This is quite impressive, given that the Build Strike is on the 1/144 scale.

So our lab coat sporting duo (the other guy was shown to be wearing one as well) exiting the dark room and walking down a hallway. Heading towards their destination, the taller guy in glasses starts delivering cryptic lines about how their victory is assured and that the fight has already begun. He opens the door, we see a bright light....

....and we cut to concert already in progress, with some pink-haired lady in an atrocious costume singing some pop song about Gunpla.

The new face of J-Pop


After the theme song, we cut to a harbor where Fellini is congratulating Reiji on making it through round two of the tournament. Reiji's rather prideful, saying that with Sei's Gunpla and his skills, they can totally beat whatever comes at them, but Ricardo stops him, saying that Reiji better check himself before he wrecks himself and to keep an eye open for anyone who can trip him up. The heir to the throne of Arian asks if Ricky talking about himself, and the Casanova of the model building world just tells Reiji to win and he'll see him at the world tournament. Reiji smiles at this, noting it as one more reason he doesn't want to lose.

We cut to the hobby shop, and Rinko is calling out Sei to show a customer to a specific Gunpla. The customer is a young lady who is in no way just the singer from the opening of the episode in disguise, I swear. She's looking for a GM variant. She starts straight up geeking out about the GM variants from Gundam 0080: War in the Pocket, making Sei geek out as well.

See, she has purple hair.Totally different character
As the mutual geek out is going on at Iroi Hobby Shop, China is walking towards the shop. She has a flashback where Sei invited her to build the model she bought (which to my eyes looks like some two-for-one deal of the RX-78-2 Gundam and a Zaku II) and starts running towards the store...where she finds Sei talking to the customer, their voices blocked by the glass door.

Yes,folks, we're experiencing one of the young romance tropes: one character reading what is basically innocent conversation as flirtation and getting pissed. While this won't go down any obvious routes or derail the episode itself, it will be present until the end of the episode. Also, throughout this episode, China's glasses are going to exhibit deadlights whenever she's in close proximity to Sei and the customer (who's named Mihoshi) or thinking about Sei and the customer. Don't know why that is, but it's kinda creepy.


Anyway, Reiji finally enters the plot, encountering China at the doors before she runs off. He sees Sei and Ms. I'm Not Kirara and later asks Sei if the woman who's at least 5 years his senior is his girlfriend. Sei denies this, saying that she was just someone he talked about Gundam with, and with Sei's general obliviousness towards romance this early in the series, I believe him.

China prepares to turn into a giant spider


We cut to school the next day, where China and Sei are attending class together. China barely talks to Sei when he says hi to her. Seconds later China is walking home from school, flashing back to Sei telling her during lunch that Not-Kirara-in-disguise was just a customer. This causes her deadlights to disappear for a bit, but they come back when Ms. Purple shows up out of nowhere again. Yuuki's getting a lift home in his limo when he sees China deadlighting it up. He sees Sei and she of the large pink hat as well and says she looks familiar. Hmm, I wonder what that could mean...

On scene later we see Sei and Mihosi  down on a bench in what looks like a public playground where our purple mystery girl flirts with Sei. He says it's nothing like that, and Sei wonders how the hell a college age girl knew what school he, a thirteen year old boy, was attending without him telling her. She just says it was "woman's intuition" just to throw off the fact that this is heading down Creepy Stalker Ave. A call for an adult or cops averted, she gives Sei a bottle of green tea she and asks if she can see Sei's Gunpla. He shows her the Build Strike and goes onto talk about how the backpack it has features an neat gimmick when he suddenly feels  powerful case of diarrhea coming on. He heads off and Mihoshi gives this little cat like smile as he runs off.


A little while later we see China find our purple girl with the Build Strike at the playground. Sei comes back and it takes her five seconds to realize that she'sin the presence of one of the official couples of the show, so she gives her apologies to China and hands over the Build Strike back to Sei before leaving. China's deadlights are back on and she runs from Sei, confusing the blue haired nerd something fierce. We also see Mr. Ral for the first time in this episode, looking at the scene before him and saying "I see. So this is youth."

One break for commercials later, were at the tournament qualifiers again. Well, we're outside the tournament qualifiers, since China is looking sullenly at the stadium, still pondering the purple clad girl. We see Ral again, and he escorts her into the building so the they (and the audience) can see some toys killing each other. And there's a match already in progress, with Yuuki fighting (and winning) against a guy with a Justice Gundam and some sort of beam boomerang. As the P.A. system announces Yuuki's win, there's another battle shown on a holographic screen of what looks like Getter-3 from Getter Robo getting destroyed in one shot. Yuuki walks past Sei and Reiji and warns them to be careful with their next opponent.

And their next opponent comes out and it's... KIRARA! Better still, she comes out singing the same refrain of the song from her intro, confusing our heroes. Kirara makes her introductions and we see the two guys with her are the same dudes in lab coats from earlier in the episode. All ominous, but no time to consider that now; it's time to d-d-d-d-d-d-d-d-duel!

1st Battle: Kirara Vs. Sei Iori and Reiji. Field 5: City 

The Build Strike immediately engages Kirara, who Sei notes is piloting a Gerbera Tetra (colored pink, of course). They exchange blows for a bit... until the Build Strike's left leg just pops off. This surprises our heroes, but they hop out of the way of the Tetra's gun and go to exchange fire... only for the right arm of the Build Strike to fall off as well.

Sei's worst nightmares come true
This is when everything falls into place. You see, in a twist I'm sure no one saw coming, Mihoshi was really Kirara this whole time! She was all buddy-buddy with so she could sabotage the Build Strike and win this round, hoping that the media exposure will make her famous enough to become a top idol. And she confesses all this to Sei and What I'm assuming is the attendees. This should get the match done and Kirara disqualified for unsportsmanlike conduct in any other universe, but s we'll learn, Gunpla Battle has no real rules to it.

Anyhow, the Build Strike is up crap creek without a paddle. Sei flatly tells Reiji to go for the twelfth slot in the controls, and to the surprise of everyone, the backpack transforms and becomes a jet. Reiji gives a monologue about how he appreciates Kirara's boldness but states that he and Sei have their own goals to accomplish. And with two shots from above, the Gerbera Tetra goes down.

Battle Ended. Winner: Sei Iori and Reiji

Everyone's happy save for Sei, who's slightly forlorn about not being able to talk to Mihoshi about Gunpla anymore. He perks up at the thought of teaching her about Gunpla, but the sight of Kirara crying like a baby and having fit that cheating did not win the day (and all the time she put in watching hours of anime and building Gunpla were for nothing). China is relieved that Sei really wasn't romantically interested in Mihoshi and goes up to congratulate Sei and Reiji. She also asks for help building the Gunpla she purchased at the end of episode three and Sei agrees, asking if she wants to go to the store right now. This causes China to blush and we end on a still frame of Kirara walking away, most likely to either reference another Gundam series or to save on animation money.

We can't, we still have a post credits sequence to get through


After the credits, we see Yuuki in a hallway of the area, saying he has to keep on his game to match our duo, when a blonde guy called Allan comes in. He's here to inform Yuuki that the master (and The Master or the MAstEr) has fallen ill and he's here to offer Yuuki the now vacant position of meijin.

--RECAP ENDED--
We've reached a stretch of episodes that either exist to introduce new characters of set up the status quo for the Gunpla Tournament Finals. (Oh spoiler alert: Sei and Reiji make to the finals...though you probably could've guessed that from this being a tournament based anime.) As such, this episode exists for two purposes: move forward with the Sei/China romance subplot and introduce Kirara.  Such, let's focus on the latter for the bit and as an intro, Kirara comes off as simply a one off villain with an idol  gimmick. She isn't terribly interesting as a character `and since I know jack about the idol industry in japan any form of sneering parody is kind of lost on me. Though, if Wikipedia is correct, idols are supposed be role models, so guess it is making Kirara what R.J. MacReady would identify as a cheatin' bitch is the main conceit. It doesn't really matter since by the time she shows up again, she'll essentially be a new character, lees an antagonist and more a mascot for the Gunpla Battle Tournament (I guess the media exposure from landing that gig really softened her attitude).

Now,Let's talk about the romance subplot. I'd like to go on record once more that the relationship between Sei and China works because it generally avoids the antics and  bullcrap that most romance stories (especially those involving teenagers). So I was slightly annoyed that they decided to go for the misunderstanding subplot that they did fr this episode. It didn't really add much towards characterization since we already know China has a thing for Sei and that Sei's oblivious to China's affections. But I must confess I'm impressed by the way they handled both Sei and China. Even though she was heading down the most cliche path for most of the episode, she never really broke character, still being her shy self and not going into cartoony levels of overreaction. And for Sei's part, I genuinely believe he was just excited to talk about Gunpla with someone and his obliviousness seems natural instead of cruel or contrived.

Other than that, I don't have much else to say on this episode. It's a good episode but mostly functions as one off filler. I'm just glad the series is short enough to avoid all out filler arcs. That's all for now and tune in next time, when we are introduced to the giant ball of weird energy that is Mao and we find out who is The Strongest Builder.


I Know What I Like: I Can't Believe It's Not Coldplay

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As anyone whose followed this series of ramblings trying to be music analysis, modern music and I have an understanding: I stay away from it and it can go one supporting the Swifts and Lil Waynes and Cyruses it wants too. I've also never actively tried to follow the indie scenes of any genre since my music tastes usually don't send me down those avenues. This slightly changed a few month ago when the brakes in my car (a 2004 Suzuki Verona) broke, necessitating me using my mother's car to go to work. This meant I also was able to listen to the XM radio that came with the car, specifically channel 36, "Alt Nation". Which I find the one silver lining in this expensive headache since I was able to hear Mind Over Matter by Young the Giant.


Now, I've never even heard of Young the Giant before hearing this song. I figured it was just a Coldplay song I'd never heard of. Then I listened closer and realized that the singer sounder nothing like Chris Martin. Listening further, I couldn't get the Coldplay comparison out of my head. Everything from the lyrics to the style of instrumentation just gave off the same vibe that the firm of Martin, Buckland, Champion and Berryman give off.

For some evidence, I'd like the jury to observe exhibit A, the first four line of the song:

Mind Over Matter
Does it matter to any of us?
Don't change the subject
I'm heavy on your love

And the refrain

And if the world don't break
I'll be shaking it
Cause I'm a young man after all...
And when the seasons change 
Will you stand by me?
Cause I'm a young man built to fall

And tell me that those lyrics don't sound like something Martin and crew would write?

This doesn't mean I believe this is a bad song  by any stretch. This series is called I Know What I Like after all, and for all I've said I do like this song. It's similar to another band's style, yes, but it also feels more alive than most Coldplay songs I've heard in a while. Just because something sounds like another, more popular thing doesn't mean it's without merit to me, and I find Mind Over Matter to be worthwhile.

P.S. To any radio stations that somehow come across this in some bizarre accident of web surfing, cn we please get this song on radio? Come on, you probably play the mainstream guys like 100 times per day; can't we spare a few minutes for some unknowns?

Also, yes, I know how hypocritical this makes me look after my knock against indie music in my AC/DC entry. All I can say is currently Young The Giant is the small exception to my rule of indie ambivalence.



Dominus Nostrum Gundam: GBF Episode 5 "The Strongest Builder"

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Welcome back to Dominus Nostrum Gundam, where all other sci-fi franchises must bow down to the glory of Amuro Ray (Hare Amuro, Hare Amuro. Amuro Amuro, hare hare). Before we begin, I'd like to go on a brief aside and look at the word that gets bandied around all over this series: strength.

It seems rather odd to me that strength is the word the series generally uses to show the quality of either someone's abilities or the quality of a Gunpla. Sure, GBF has this whole "warrior" conceit going on with participants in Gunpla battles, but it seems to me that the words talent or skill would be the far better descriptors for what is actually going on. After all, these people are essentially playing a kickass combination of RPG (character customization wise, anyway) and fighting game. There's really only the bare minimum of physical strength required to either build toys or move controls, so what are they going on about? Is it strength of conviction, perhaps? That small, eternal feeling within one's soul that drives them and pushes them to go harder, run farther or, in the case of this series, obsess over the ways to make and customize model kits of robots?

Yeah, that's probably about it. As friend of this site Voltech44 once pointed out, GBF is, in essence, about the pride people have for a hobby and the passion they put into it. So what happens when two people, both of equal passions for a certain hobby, encounter one another? Well, let's find out...

--RECAP START--

Our episode begins with a truck driver giving a lift to young boy. The drive asks what the hell since the kid's too young to be backpacking across country, but the boy says he has permission. The kid, who’s wearing a pink shirt, overalls and a sun hat, pulls out a model for the NZ-666 Kshatriya and says he wants to show his appreciation or the ride. He then reveals his destination: Tokyo.
Oh, trust me, I've been waiting to recap this episode for a while


After the credits, we go to the Iori Hobby Shop, where Sei's eyes have gone all starry over the new HG Universal Century Gouf that Mr. Ral has made. The blue haired builder starts geeking out over it, and Ral responds with paraphrasing his most well known bit of dialogue.


Reiji, for his part, thinks the Gouf would be perfect for training and asks Ral to fight with him and Sei. Ral declines and explains to Reiji the various reasons outside of fighting with them. Sei joins in, saying that Gunpla is how people can expand the imagination of the Gundam world (i.e. make fanfic iterations of giant robots.) Sei then goes onto compliment Ral's Gouf again, but Ral's humble about it, saying he's heard of some thirteen year old kid in the Kansai region who's an amazing builder. And speak of the devil, the boy has finally made it to Tokyo, said goodbye to the truck driver and actually finished the Kshatriya as a gift for the driver's kids. We also find out why the kid's in Tokyo: to find Sei Iori.

One title card later, we're in Sei's room and he's using his laptop to look up this Kansai whiz kid instead of surfing the web for porn. Good thing too, since Reiji shows up with a plate of...I'm gonna say meat buns. The talk about the tournament and the Build Strike, which is still in bad shape after Kirara/Mihoshi sabotaged it last episode. Reiji excited since their next opponent after this round will most likely be Yuuki, but Sei has his doubts, which is why he's looking up the Kansai kid, for some hints in what he can do to give them an edge. Reiji tells him to believe in himself and his Gunpla, or at least believe in the Reiji that believes in Sei and his Gunpla. (Okay, not really, but I couldn't resist). He then heads on out, asking Sei to fix the Build Strike.

And here is where the show goes completely insane. We're at cafe, where a young woman is enjoying some coffee. A waiter comes up to here and proceeds to deliver her a Gunpla (a Victory Gundam to be more specific). She's understandably confused and the waiter points to the man sitting at another table, where Ricardo Fellini is there to lay on the charm.


Yes, ladies and gentlemen, we are seeing a scene where a grown ass man is hitting on a grown ass woman with a toy.

But that's not the most insane part. No, that belongs to the fact that this almost works!

Yes, this young woman is actually flattered by this damn thing, saying that she could never accept such a beautiful specimen of model kits. A familiar voice says "Then I'll take it!" and as sure as the sun sets in the west, our imperious ginger has shown up to derail Fellini's PUA antics. Fellini's pissed, since he spent three days building the thing to pick up chicks. Reiji ask to battle Fellini so he can prepare to fight Yuuki, but our Gunpla Casanova asks if this really is the proper time... only to find the young lady had left, most likely miffed that she was nearly roped in by some dude plastic pick-up tool. Fellini freaks right the hell out, but Reiji, undaunted, drags him away.

After a scene with Sei repairing the Build Strike and worrying about facing Yuuki and a scene where the Kansai Kid gets lost and hungry in Tokyo, we meet up with our blue builder and China walking home from school. China notices that Sei is worried about something, so she invites Sei over to her family's restaurant for some sherbet. Sei tries to decline, but Chin simply says it's a thank you for teaching her to build Gunpla. They head over to said restaurant, and guess who they meet?

Gundam Build Fighters: where all goods and services can be bartered with Gunpla


Yep, it's the Kansai Kid trying to pull the same damn toy bartering deal he did with the truck driver. Papa Kousaka ain't havin' any of that, though, so it's incredibly fortunate that Sei comes in and geeks out over the Extreme Gundam he managed to build. We then see the three kids heading down the street, where our mystery guest voices his envy on Sei having such a cute girlfriend, causing China to blush and Sei to simply start asking where this kid's from. Our sunhat wearing oddball simply responds to this by saying he's trying to go to Iori Models, which perks up Sei's ears and leads to the kid realizing Sei is in fact the guy he's looking for.

He wants to be the very best, like no one...wait, i already used that reference in another recap, didn't I? Damn it!


The Kansai Kid the proceeds to declare Sei his lifelong rival. He also introduces himself as Mao Yasaka, winner of Japan's 5th Block Gunpla Tournament and he has one dream: to become Chairman of the Communist Party of China the world's best Gunpla builder. This display of over the top energy causing Sei and China to quickly walk away and say they have o go mind their respective family stores. Mao, understanding, simply does his entire intro again, only a little faster. This makes Sei wonder if he simply just attracts weird people. And I will leave the answer to that to our Senior Obviousness Correspondent, China Kousaka.


After a quick look at Reiji and Fellini in Gunpla battle at the Zeon bar and a commercial break, we're at Iori Models with Sei, China, Mao and Rinko. Mao's glancing at the Gunpla display, which is quite impressive since his eyes are closed all the time. Mao asks Sei-Han (Mao's way of addressing Sei for the rest of the series) if he built all of them. Sei replies yes and this prompts a flashback where we see Mao has trained under a master Gunpla builder at the Shingyo school, and yes there is a school for mastering Gunpla building in this universe. Do you see why I keep saying Gundam is a religion in the anime's world?

Anyway, we see in the flashback that Mao's master basically told him to go out and see the world, since he felt he was getting to complacent with his skills. That's why he's come all the way from Kyoto, though I'm kind of wondering how Mao's being allowed to do this on a school day.* That's why he came to Iori Models too, since his master told him Sei was as good a builder as he. But Mao's a little less than impressed, citing the Gunpla on display as simply well built models lacking imagination. Mao asks to see Sei's real work in a "show me yours I'll show you mine" type of deal and on his pride as a builder, Sei agrees.

*Oh what am I saying? The next episode’s gonna show us that Gunpla exceeds any other social responsibilities

This scene has be approved by Wes Bentley 
Then the show becomes an old west duel, with a grocery bag standing in for tumbleweed and both Sei and Mao having little leather Gunpla holsters and belts. (They've been in the show prior to this, but I've never really found it important to mention them until now.) With China and Rinko looking on, the boys whip out their prized Gunpla: Sei with the Build Strike (which he's fully repaired) and Mao giving showing off his Gundam X based the Gundam X Maoh. 

Mao Yasaka, winner of the Gunpla Battle 5th Block qualifiers and second runner up in the Kyoto Gundam Cosplay Competition

The two boys look at each other's Gunpla in complete shock; taken aback by each other's craftsmanship. Reality then begins to warp and twist, leaving us in space with Sei and Mao piloting their respective Gunpla, dressed as the main characters of their Gunpla's series. They start attacking each other, each boy sizing up the other's work. Sadly, this is all in the boys' heads, since we cut back to China and Rinko looking at them and speculating on them fighting in their imaginations. Personally, I guessing Gundam obsession gives people a psychic link in this universe. The fight goes on and Sei discovers that the Gundam X Maoh can compress plavsky particles and release them as well, a neat trick to push the Build Strike far enough away for Mao to pull out his trump card: the hyper satellite cannon, basically the X's satellite cannon tuned up to eleven.

You're in space, dude. The moon is always out. 

The hyper satellite canon charges up and fires, leaving Sei in the same state of petrified terror he was in during the opening dream sequence of episode one. The beam heads out a good parsec before dissipating, but surprise, surprise, the Build Strike's not out yet. That's because Sei switched himself out for Reiji as the pilot of the Build Strike (though Reiji's not actually there with them). Just as that imaginary fight is about to start, Ral shows up to stop the match. Something like this shouldn't just be fought in the imagination, so Ral suggests they save this for the Gunpla World Tournament. Mao agrees, desiring to fight Reiji in person instead of imagination. The two builder’s part ways at sunset, now friends instead of people who barely knew the other existed.

This encounter has invigorated our little nerdlinger, though, with Sei The next day, we're in the next round of the Gunpla Tournament qualifiers, and we see our dynamic duo fighting a cross between a Gundam and a turtle. It's a brief fight, with the Build Strike winning with their new and improved beam cannon. With these new improvements, Sei and Reiji are confident that they can face off against any opponent, even Yuuki!!!

...then we come back from the closing credits and find that Yuuki didn't show up for his qualifier match against Sazaki, meaning the Gyan loving bastard wins by forfeit. Oh well. 
That, dear boy, will be answered next episode


--RECAP ENDED--

Well that was refreshing, wasn't it? After to basically good episodes we get one that's almost great. This is because unlike episode 4's intro of Kirara, Mao is an interesting character in his own right. He's even more of complete nerd than Sei is when you get right down to it, but he's so unselfconscious about it he becomes incredibly endearing. In that respect, he's essentially Sei if Sei weren't so shy. He's also quite funny, what with the over the top intro and him genuinely believing that he can barter with Gunpla for anything. He's one of my favorites, so I'm glad we'll be seeing more of him soon.

This is also where the show starts to go off the rails, and I mean that in the best way possible. It won't (usually) go into outright insanity like other anime, but it will basically be its own flavor of mad throughout the rest of its run. This is best exemplified by that damn toy flirting scene. I mean seriously, where else are you going to find a grown ass man use a model of a giant robot as a pick up tactic. Only in Gundam Build Fighters, my friends. 

My only real problem with this episode, and with the rest of the series, is that China essentially is just a spectator and cheerleader for Sei. I'm not offended by this, since it's been clearly shown she's only interested in it to get closer to Sei, but I really wish the creative staff found more to do with her. Thankfully there's episode nine coming down the line, but I do wish she would have been allowed to do more.


That's all I've got for now so see ya next recap. With Yuuki seemingly out of the picture, Reiji starts wondering why the hell he's still playing with toys and must find "A Reason to Battle". Will he find it? (Spoiler: yes)


I Know What I Like: Killer Klowns Edition

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Killer Klowns from Outer Space. Is there anything else that needs to be said?
Holy S*#%!
Growing up, I was never that big a fan of horror. My parents rarely allowed me to watch or rent rater R movies (save for the one time my parents couldn't find a babysitter and took me and my sister to Bad Boys). Plus, I'm a child of the 90's, and from what research I've been able to gather, 90's horror sucked in ways I scarcely want to think about. One of the films that I wish I'd seen earlier in my life is Killer Klowns From Outer Space. I have seen the movie recently (through, umm...means) and it is pretty good, all things considered. 

But we're not here to talk about a good movie. We're here to talk about the song Killer Klowns From Outer Space by The Dickies, which is probably one of the best movie theme songs I've ever heard.



The song's main selling point, aside from extolling the horrors of the titular Killer Klowns, is the guitar work. The reworking of Entry of the Gladiators is, in the most scholarly of terms, a really rockin' sound, especially the guitar solo after the second refrain. It's a cheesy, 80's drenched theme song and I really wouldn't have it any other way.





Where You Been, Man?

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Hello, all. You may be wondering where I have been or the last couple of days and why seem to be in low content mode. To be honest, I've just not been that enthusiastic about this whole blogging thin, so I decided to take an impromptu break. Plus, last weekend I went to Wizard World Chicago and decided t stay away from my laptop for the four days I was there.

Now that I'm refreshed and recovered from the convention, I'll begin posing on the reg again. There will be a new Dominus Nostrum Gundam this seek (two if I'm lucky) and I will be talking about some stuff that happened to me at the con. But I'd just like to leave you with this

I met Ted Raimi last weekend and you didn't you sad bastards! Hahahahahahahaha!

I Know What I Like: As Approved by R.L. Stein

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October has  officially started, and as such, I feel that I should focus on a horror themed song in tribute to the scariest month of the year. Now, there are some rather obvious picks like Monster Mash, Thriller, and a litany of horror themed acts, But of r this entry in my ongoing foray into dilettante music analysis, I would go for something a little more obscure and something more close to home (for me at least). And with that, I present to you Goosebumps.


I was never really a fan of Scholastic's book fair staple back during its heyday of the nineties, but I do see its appeal. We (and by "we" I mean residents of the United States) live in a culture where exposing children to horror and violence is seen by a good number of extremely paranoid and fussy adults as the way to Gehenna. A series of horror themed books aimed at a young audience is something that, for those tykes looking for something that was even theoretically scary would be an extremely attractive prospect (especially for those with fussy parents and no easy access to horror movies). Also I can't overstate the importance Tim Jacobus' artwork for the series, a combination of creepy and kid friendly that helped define the series, even if it was just through its covers.

But enough talking about book series I've never read, let's talk about the song itself. It's by a guy called Lemon Demon (real name Neil Cicierega, the guy behind Potter Puppet Pals) who you might recognize as the voice that sang Ultimate Showdown of Ultimate Destiny.  I never really figured that the guy behind that had a music career beyond that, but there he is, looking like the younger brother of the guy playing Riddler on Gotham and weaving Goosebumps titles into the lyrics of a love song. Speaking of which, I gotta give props to the guy for his lyricism. Takes skill to weave other people's words into your own work, especially when those words are "Monster Blood II" and "The Scarecrow Walks at Midnight". Sure, the lines can read a little awkward, like the following:

Beneath The Haunted Mask I wear,

My eyes light up for you.

That reads like something a slightly pretentious teenager would write on his LiveJournal post circa 2005, but I see that as the strength of the song itself. The song is a simple song sung from the mindset not of some smug player faking sincerity or some weepy college student using his introverted nature to impress someone. He's tapping into that part of his psyche that remembers being a lonely twelve year old with a crush he just can't seem to talk to*. That he does this while paying tribute a a book series of his youth is nothing short of brilliant to me.

So give this a listen for yourself. Can't guarantee you'll be as enamored with it as I am, (I've listened to the song about 20 times in the last two days and I don't plan on stopping until I'm sick of it) but I will guarantee that it will tickle the sort of nostalgic chord for those who were there and paying attention during that brief flash of pop cult history, when almost everybody was up fr a scare.

* It's either that or Cicierega has a very vivid imagination and was able to recreate a person with that kind of mindset.

Jordan Reads Comics: October 10-18th, 2015

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I can remember distinctly when I became a dyed in the wool comic book fan. I and my family were at the Islands of Adventure at Universal Studios Orlando. We were on the Marvel Super Hero Island and were walking through a gift shop and saw a collection of trade paperbacks and graphic novels. Since this vacation coincided to a year or so after the first Spider-Man movie came out, either I or my dad bought the first volume of the original run of Ultimate Spider-Man series, Power and Responsibility. It's with that (and later discovering that my home town had a comic book store) that my fascination with superheroes became a full blown obsession; one that still holds a full 12-13 years later.

That's not to say that my love of the four color page hasn't waxed and waned over the last decade and change, but since I'm in a mood to talk about them, let's talk about some comics that I've read over the past week or two.

DC Comics
Green Lantern will not
be appearing in this comic

Cyborg #3: I'm going to come out right now and say that I haven't been following DC Comics' output on any regular interval since their reboot in 2011. I decided to give this thing a shot mostly because I liked Cyborg from the old Teen Titans show. I can't say I made a huge mistake....

The story (written by David F. Walker and drawn by both Ivan Reis and Joe Prado), from what I could gather, was that good ol' Vic Stone (the titular Cyborg) has been dubbed the Messiah by some Borg knockoffs. Said Borg knockoffs are also assimilating and/or killing everyone they can, which Vic takes offense to and engages in a philosophical debate with the Collective by way of action scenes. The Metal Men show up and then a supporting character meets her future self and said future version of supporting character (sporting the latest in post-apocalyptic couture) says that this whole mess is Silas Stone's (Victor's Dad) fault and that Wolf 359 has been utterly decimated.

Okay, I may have added that last bit.

I get the feeling that that maybe a bit more context would have helped, but I'm not too terribly interested in the story presented. I may keep up with this for another issue or so but for now, it's a 6 out of 10 for me.  

Cover for a comic book or an
emo rock album? You
Make the Call!
Doctor Fate #3:  This comic caused the most powerful case of déjà-vu I've had in a while. There is nothing in this comic that you probably haven't seen a million times in a million other origin stories. We have the hero's (Khalid Nassour, Med student and Brooklyn native) first big save, said hero figuring out his powers and stressing about how his new powers complicate his normal life, establishing both the hero's love interest and his family, and has a big looming threat (by way of Anubis) ready to give our hero his first big test in battle. This is the perfect sample of stock storytelling, less written and more assembled from used parts.

It's not all bad, though. I do like the sweet scenes between Khalid's mother and father, with Elizabeth comforting Muhammad over injuries to his eyes. Outside of that, there's nothing much to say or recommend for this, leaving it at 5.5 out of 10.


Marvel Comics

 Warning: Prepare for copious usage of the number 1


Eat your heart out, Potter.
Dr Strange #1: And now we come to Marvel's new millennium reboot, already in progress even though Secret Wars (2015) isn't even finished yet. Though I've no idea what Marvel's current fetish is for rebooting its series to #1 (they've done so at least three times in the last couple of years, branding it their "Marvel Now!" initiative) outside of the short term financial boost, but whatever. Let's talk about Doctor Strange, whose new book is being penned by Jason Aaron, the same guy who did the Thor storylines "Godslayer" and "GodBomb".

I specifically mention those two storylines because Aaron seems to be diving into the same well for this story. Once again we get a looming threat who desires to destroy the hero and what he is related to (gods in Thor, magic users in Strange) and the good Doctor will, presumably, be pushed to the very brink of his physical, spiritual and emotional limits. Though we don't learn that until the very end of the issue; most of the comic focuses on a "day in the life" story. But since it a day in the life of the Sorcerer Supreme himself, it's a day filled with soul eating demons, creatures invisible to the mortal eye, doing battle with terrors from beyond the walls of sleep, and tiny devils sprouting out of librarians heads to keep thing interesting. Chris Bachalo does fine work with all the monsters and his....I don't know, "mangaesque" style of drawing human characters don't look awkward or extremely skinny. It's not a bad book by any means, but I wouldn't give this new outing for Doctor Strange anymore than a 7 out of 10.

Ooga chaka, Ooga chaka,
ooga oog ooga chaka
Guardians of the Galaxy #1: (Aka. One of the dozens of books Brian Michael Bendis is penning for Marvel right now.) Starting things in medias res seems to be the thing for this reboot. Happens in almost every number one I've read and GotG is no different. In fact, it may be the worst offender, since I would have liked to know why the hell are the Flash Thompson version of Venom and Benjamin J. "The Everlovin' Thing" Grimm doing paling around with the universe's surliest and snarkiest. I know that Kitty started dating Star Lord in the comics at some point but what in the name of mighty Odin is she doing being Quill's (possibly ex) fiancée? For that matter, what madness has infected the people of Spartax that they've allowed Peter Quill any political office, let alone as king of the planet? Who the hell is Hala and why does she want to destroy Quill and/or Spartax?

But these are questions (hopefully) to be answered in future issues and are not, even collectively, a major problem. No, the major problem is that this tale feels awfully generic. I can't believe I'm saying that about a comic featuring a talking raccoon, a mutant that can destroy spaceships just by phasing through them and the Everlovin' Blue-Eyed Thing fighting alongside Groot, but there it is. This is exactly what I'd expect from a book with the title Guardians of the Galaxy, especially after the movie made them a hot commodity. I'm not made that there are no real surprise, but I am disappointed that it seems so, well, average.

The most glowing thing that I can say the interplay with each of these guys is better than average. Everyone's in character and some of the jokes do actually stick the landing. I have high hopes for this book (Bendis is one of favorite writers right now thanks to his work on Miles Morales), and Valerio Schiti does fine work on the art, but for now, I'm giving it a 6.5 out of 10, with hopes for improvement later on.

Cue Black Sabbath
Invincible Iron Man # 1:  (AKA another in the dozen or so books Brian Michael Bendis is penning) Finally we come to one of the heavy hitters of the Marvel Universe. I've never read Iron Man on any regular basis, so I figured this would be the perfect opportunity to get into the book. One of the few thing I have read was the trade collection of the first last Iron Man run to have invincible in the title, "The Five Nightmares" which this issue shares elements of. Once again, we see Tony upgrading his armor,fearful that he is no longer 50 steps ahead of everybody else. We don't a real demonstration of the armor's power (save for its ability to travel from New York to Latveria without even taking a bathroom break), but I will say that the new design is pretty good. There are also some scenes with Madame Masque stealing crap from people that tease things to come and a last page reveal that makes of another Fantastic Four staple who's there because he needs a super genius to menace now that Reed Richards seems to be persona non grata.

What's most interesting is Tony's character arc, which finally see's old shell-head not realizing his own jackass behavior but try to curtail it. It's not a total change however, as the main plot of Tony going out on a date with a Sri Lankan biophysicist named Amara proves, but he is trying, in his own way, to be a (slightly) less obnoxious human being, and that is action I will always applaud.

If I have to knock it for anything, it's that Bendis does sometimes make the dialogue feels less like Tony Stark and more like Peter Parker. The most egregious example of this being this line after Amara admits she figured out a way to cure the mutant gene in her head:

TonyThere are psychic spies, psychic industrial spies, and psychic mutants. And psychic mutant industrial spies.

But other than that, it's mostly good. A 7.5 out of 10.
I have no snark for this comic.
It's damn near perfect

Ms. Marvel #19:  Enough of these beginning, let's talk about an ending. Specifically, let's chat about the end of the first volume of Ms. Marvel, written by G. Willow Wilson and drawn by Adrian Alphona.

It's the end of the world as she knows it, and Kamala Khan is not feeling fine. With the clock ticking and the the possibility of death staring her and all she loves down, the young Ms. Khan decides to spend her possible last moments (hey, don't laugh; Kamala doesn't see through the fourth wall so she can't know this is all just another a massive reboot) Kamala decides to spend the last day with the people she loves. And there are a bunch of midgets there dressed in hazmat suits for some reason. Not entirely sure why they're there.


Look, I'm just gonna come out and say it now: Ms. Marvel has to be one of the most consistently good comics Marvel has been publishing. This last issue is no different, though it still feels strange to me. Probably because, unlike most comics dealing with the end of their universe, this issue eschews cosmic threats and grand last stands for the personal stories of Kamala Khan and the people of Jersey City as they stand (as far as they know) at the brink of Armageddon. It's a personal and sweet story that you usually would only see in something like Astro City, and that's one of the highest compliments I can pay a comic.

If I have one complaint, it's that Wilson does fall back on one of the oldest tropes in the superheroics book ("hero and love interest confess their love to each other on a rooftop") and there a point Bruno (the aforementioned love interest) says the words "Bitcoin for your thoughts" but neither are really that annoying and in the latter's case was actually executed rather well.  That, plus Aphona's excellent art, nets this comic a 9.5 out of 10. Good work all and see you when this all stars up again in November.

To me, my sonic screaming falcon!
Sam Wilson: Captain America #1: Finally! I get to talk about a number one from this Marvel relaunch that is actually pretty damn great. Hell, it's probably going to be one of the best number ones out of all of them due to one decision: to focus on whom Sam Wilson is and what his Captain America will represent in this benighted, divided, schizophrenic S.O.B that is the United States. No prize in guessing that Sam finds himself faced against the various morally compromised government agencies, biased "news" outlets, and straight up racists hicks acting as border patrol goons who call Sam "Captain Socialism" without the least bit of irony. (Also, no prize for the seeing parallels between Sam's public relations struggles with a certain still sitting president.)

But just diving head first into the real problems of the world aren't enough to make a comic worth reading; it also has to be well written. Well, thank ye Odin, we got a good writer in Nick Spencer, Who decides to tell the story in flashback as Sam flies coach from Arizona to New York after a confrontation with the Sons of the Serpent (the racist hicks mentioned earlier) and possibly the former star spangled man with a plan Steve Rogers, if the last page and cover for issue two mean anything. But I don't want to spoil everything so I'll leave with this: if you want to see Captain America beat up a bunch of minutemen who dress like cast off COBRA agents for a few pages, this is the book for you. I give this number one a 9 out of 10.

And that's all I got for you for now. I haven't picked any of the hot independent comics or any comics in outside of comics mega franchises (read: Star Wars, Doctor Who and the like) but I'm open to any suggestions. Also share your critiques of this and tell me what I can improve. Thank you all for your time and I'll see you all later.

I Know What I Like: Instrumental Edition

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Today on I now What I Like, we're going to be talkin' about a instrumental piece . It's from a movies about a monster that walks a man, a being of pure evil. Ladies and gentlemen, I give to you  the theme to one of the most iconic bad guys  to come out of the 70's not named Richard Nixon.


What, did you think I was talking about Halloween? That's be too obvious.

I can't remember when I first discovered the theme from Phantasm. It was probably some guy's listing of the top ten horror themes or whatever. But I instantly fell in love with this theme and spent years trying to find the movie. (I did find the movie through, um...means on the internet).

If I was to describe this theme in one word, that word would be haunting. The way the synthesizer slowly builds  after the 30 second mark (punctuated by the hi hat tapping) moving on to slowly revealing the full orchestration. The way the synthesizer sound like wailing at the minute and a half mark just give me goosebumps and  the  middle section of the piece (1:57 to about 2:44) is nothing short of a thing of beauty. It's like that feeling of waling alone in the fall and your sure somebody's following you.

Well, that and a very surreal dream. Which is fitting for a film like Phantasm.

The Trades: Ultimate Spider Man (Volume 1) Vol. 1. : Power and Responsibility (2000)

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Do I even need to type in the catchphrase?

As I stated in an earlier blog post, I got into comics thanks in no small part to discovering the first trade paperback of the Brian Michael Bendis penned and Mark Bagley drawn Ultimate Spider-Man series while on vacation with my family. Even since then I’ve been reminiscing about that old thing and decided to read it for the first time in years. There was one slight hitch, though: the binding was so dried I had to glue at least twenty or so pages back into it. But never mind DIY book repair, let’s talk about Ultimate Spider-Man (Volume 1) Vol. 1: Power and Responsibility.

(Author’s Note: The seemingly redundant title is referring to the fact that there are, at the very least, three volumes that have the Ultimate Spider-Man title on them. The first two revolve around the Ultimate version of Peter Parker, with that last volume focusing on Miles Morales. Got that? Good.)

The back cover of the this trade has quote from Wizard Magazine calling the Ultimate Spider-Man “A Hero for the New Millennium”. And they are correct in that, in only so much as that the fashions every teenage character is sporting scream that this tale takes place in the early 2000s. From the various scenes in school to the house party that happens in issue four, everyone seems to be wearing (safely off brand) duds that make this a neat little time capsule of the youth fashions of the last days of the Clinton administration. All those scenes would need is to be to have Crazy Town’s “Butterfly” playing in the background or have that Ray Bans vampire commercial get referenced at some point and you’d have a full on immersion of the 00s.

The other thing I immediately noticed was Bendis’ attempts to inject “youth lingo” into the dialogue of all teenage characters. It works about as well as it usually does when a man well out of high school tries to write towards “the youth”: it’s very obvious that the dialogue’s being written by a man both well removed from youth culture and under the restrictions of a PG rating. Sure, they can get away with a “crap” here and there, but anything naughtier than that is either edited out or just don’t exist in this world. Hell, neither Flash Thompson nor Kenny “Kong” Harlan* ever throws a homophobic slur Peter’s way, something that would definitely happen in any version of the 2000s from guys with such odious personalities.

Speaking of personalities, let’s get into the characters of this little origin. Peter’s given the most depth, obviously, going from frequently abused nerd to selfish, angst-ridden teenager to full blown wise-crackin’ superhero by the end of the story. Uncle Ben and Aunt May are recognizably themselves, though Ben seems to be portrayed as a former hippie (or maybe that’s just my way of reading him). Norman Osborne is basically a supervillain even before he becomes a Hulk-ified version of the Green Goblin. And J. Jonah Jameson is J. Jonah Jameson in the J. Jonah Jameson story for the three pages he and the Bugle show up in issue six. That leaves us only with the teenage cast, and woo boy, are these guys thinly sketched.

Mary Jane Watson gets off easy by being both as studious and forthright young lady with an obvious thing for Peter. The rest of them, though? Harry, while still Peter’s best friend, comes off as your typical rich boy with an absent-even-when-he’s-there father until the last two issues when he starts suffering from Hulk Goblin assisted PTSD. The firm of Thompson and Harlan come off less like real bullies and more like the asshole victims of any given bad horror movie. They straight up name drop Carrie in issue one and that gave me pleasant visions of Peter manifesting psychic power and killing both of these clowns. They both get payback (with Thompson getting his twice over as he both gets his hand broken when Peter blocks a punch he throws his way and has his place on the basketball team taken by good old Puny Parker) but they never come off as anything more that the average everyjerks they are. Liz Allen shows up every now and again but she’s the shallowest of an already shallow supporting cast; the kind of slutty popular girl cut from the same slasher movie victim pool as Harlan and Thompson. The teachers are one note entities with no real purpose, with only the appearance of a young Ben Stein in the early pages of issue two and stereotypical jackass coach leaving any lasting impact.

You may have noticed I haven’t really gotten into the story yet. Well, do I need to? Spider-Man’s origin story has to be one of the most retold, re-imagined, rehashed and parodied origins of all time, beaten out only by Superman, Batman and Jesus Christ in numbers of interpretation. There’s no real need to go into it since everybody and their great grandmother knows it already. What I will say is that, for what was originally an eleven page origin stretched out to seven full issues (with issue one being a forty eight page double-sized issue); I’m surprised by how I wasn’t annoyed by this decompression. Don’t get me wrong, I think an issue or two could have been condensed to save time but, for the most part, I don’t feel that my time is being wasted. That’s mostly thanks to Bendis’ writing of Peter, keeping him a mostly likable guy throughout the story and letting him bring the rapid fire one liners once he gets into the spider groove.

Peter’s portrayal is probably what helped me get through this book the most out of everything. Especially when I realized something rather spine chilling: this story was basically Spider-Man as interpreted for then called WB channel (now CW) teen drama. If that frightens you or brings back horrifying memories of Smallville, don’t panic: it’s nowhere near that level of tedious or annoying. Bendis is a good enough writer (from what I’ve read at least) to avoid going down that long and rocky country road. But the drama of this story, especially when it get to the May and Ben worrying over having to pay the Thompsons for Flash’s medical bills and the scenes when Peter acts out against his surrogate parents feels like a ready for prime time soap opera.

Before we finish up, I’d be remiss if I didn’t mention Mark Bagley’s art. It’s very good; as clean and professional the next cat’s. He also does what all good comic artists should do and lets the art tell the story along with the words. Seriously, if you removed all the dialogue and inner monologue text boxes from this, I guarantee you would still get the story being told. So kudos to you, Mr. Bagley.  I don’t know much about art, but I know what I hate, and I don’t hate this.

You know, I feel ever so slightly refreshed. Coming back the ground zero of my comic fandom has been a fun task. While it’s nowhere near close to perfection, I can safely say that Ultimate Spider-Man (Volume 1) Vol. 1: Power and Responsibility was actually quite the fun read. It tells as good and complete story whilst leaving the door open for greater things to come. For that, I feel giving that 7 out of 10 is an appropriate score.
 
Glad you approve, Peter.

*- I know that the Marvel wiki refers to him as McFarlane, but he was called Harlan for this first volume and Harlan he shall be. 

I Know What I Like: Archduke of Austria

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Since I was gone for a good while and I’m trying to keep myself at a steady clip of posting content, I’m gonna give you guys another dose of I Know What I Like. Though I wanted to keep with the spirit of the last two I’ve done and do something related to this oh so spooky season, my review of Ultimate Spider Man Vol.1 has gotten me thinking about the 2000s, so we’re going to stay on  that track for right now.

Allow me to set the scene: it’s 2004 and you’ve left the confines of your Catholic elementary/middle school. You’re not paying attention to the music scene, but if you were, everything about it would say that change was coming on all fronts. This is especially true of the rock scene, since this was the time period that rap metal and Nu Metal were just starting to be rejected by the mainstream. Guys like Limp Bizkit were finally, thank God, being ousted as terrible acts that no one should have liked in the first place. With this, rock entered a grace period where strange indie acts could actually get some airplay on the pop charts.
And it is in this grace period that two songs would become completely inescapable. One was “Float On” by Modest Mouse, and the other is the song I’ll be covering today….

….yep, it’s Franz Ferdinand.

I didn’t really consider music as a hobby until at least two or three years ago, but I’ve always had a few songs that have stuck with me over the years. One of those just so happens to be Take Me Out, a song that, if you lived in my little corner of the world, was near inescapable on radio stations (especially those who purported themselves as alternative stations) until at least 2007. It’s easy to see (or, more appropriately, hear) why that was. Unless my intel is faulty (though admittedly, my intel only goes as far as Todd in the Shadows) 2004 was dominated but crunk rap and the most visible rock group was the incredibly hated Nickleback. Take Me Out was not a great song, but a breath of fresh air in a scene that was being dominated by Hoobastank’s “The Reason”.


Since this is basically a far more popular song than I usually cover, there’s not much I can say that probably hasn’t be said a million times by a million people better equipped to critique music than I.. The production is phenomenal; the singing by Alex Kapranos just stays unique and the electric/rock fusion of the song works in ways never really managed, yadda yadda yadda. One thing I’d like to say is that I love how this song does not waste any time. Five seconds in and Kapranos is going into the first verse. The song keeps going like that, not quite going into hard rock or metal types of speed, but still at a fast pace. That kind of energy, that “get up and headbang” kind of momentum, is something that was sorely needed in rock word of 2004 and something desperately needed in the rock scene of 2015.

I couldn't get the official video from on the post, so go here to see it in all of it's dadaist glory.

The Trades: Ultimate Comics: Spider-Man Vol. 1

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Hello again, ladies and gentlemen, and welcome to what I’m officially calling The Trades, where I look at the trade collections of comics I have and review the content within. This time, I’m staying in the recently deceased Ultimate Marvel Universe and taking a look at our friendly neighborhood Spider-Man yet again. But this Spider-Man is not the angst ridden Peter Parker of old. There’s a new kid in town with his own set of worries and anxieties! That’s right, my peeps: we’re talking about Miles Morales, the black Spider-Man!

And I'm not just talking about the costume


(Well, technically half-black, half-Latino, but we’re not here to split hairs on labeling bi-racial fictional characters.)

Since the tale of Miles Morales has not been retold countless times in various mediums, let’s discuss the story we have here:

Aaron Davis, aka the Ultimate Universe’s version of the Prowler, breaks into Osborn Industries to steal…a tiny version of whatever the hell was in the briefcase from Pulp Fiction. Aaron (who looks like a slightly older version of Mike Epps) is later visited by his nephew Miles (Brooklyn native and recent inductee to a charter school) when a genetically alter super spider that stowed away in Aaron’s duffle bag bites Miles and causes him to pass out. Young Master Morales discovers immediately that he now has superpowers and goes to his best friend Ganke for moral support. All of this would be standard stuff for any other superhero, but this book in called Spider-Man on the back half of the title so we must deal with the young Mr. Parker to deal with. Which one will wear the Spider mask?!

Well, that question is answered when Peter dies in a fight with the Green Goblin.

With Parker’s (at the time) death on the kid’s conscience, Miles decides he will become Spider-Man to honor Peter’s memory. With only his friend Ganke’s expensive as hell Spidey Halloween costume in his crime fighting arsenal, Miles goes out into the world as Spider-Man!....

…Which proceeds to piss off the news outlets that have lionized Peter, the Ultimate version of Spider-Woman, and the racists dip$#!*$ who just can’t stand that being a white male doesn’t automatically mean the rest of the planet bows to your whims anymore.

(Okay, that last one’s specific to our universe, but it’s worth mentioning.)

With all these things converging towards him, will Miles be able to prove himself as somebody worthy of wearing the webs?

Well, yes, yes he will. Can’t really have an ongoing Spider-Man series without Spider-Man, now can we?

It’s inevitable to compare this to Power and Responsibility, especially since I just covered it in the last one of these. There’s some blunt force parallelism going on in Ultimate Comics: Spider-Man Vol.: both first issues start with Norman Osborn giving a speech about the myth of Arachne to some anonymous peon at Osborne Industries. Both contain scenes where the protagonists learn of his wall crawling abilities by sticking to the ceiling of their bedroom. There’s also this number motif going on in the early issues (00 for P&R, 42 for UCSM). But Mephisto is, as always, in the details, and that’s no better represented than the aforementioned panel of ceiling sticking. Where Peter treated his discovery with amazement, Miles reacts thusly:


It goes farther than that, of course. In the decade between these two trades, Bendis has greatly improved as a writer. He’s no longer writing for “the youth” as it were; none of the shallow horror movie victims that kept showing up in P&R pervade any aspect of Miles’ life. In fact, the cast as a whole is a hell of a lot stronger than original USM cast. I feel like I know the people more intimately in five issues than USM managed in seven (or eight, since the first issue was a double issue). I won’t get into everyone here (this thing’s looking long as is and I do plan on talking about the series further), let’s talk about Miles and Ganke, our protagonist and his best friend respectively.

I’ve talked about Miles before on this blog, but I don’t feel I properly conveyed why I like this kid so much. It’s not simply because he’s a black person headlining a major title; it is because Brian Michael Bendis made the conscious decision of making Miles Morales a fully fledged, honest to Zeus character. He’s not simply a black version of Peter Parker or simply “the black kid”. He’s his own person, with his own hang-up and personality quirks. That is a beautiful thing, especially in a world where simply being the ethnic person in several genres (hell, several mediums) is all the characterization those people get.

For instance, the reason he has for not informing his parents of why he has powers is actually logical (for a teenager, anyway): he knows of his father’s distrust of super powered beings and thinks he’ll hate him if he tells. His guilt over Peter’s death (which I feel is about as misplaced as Peter’s guilt for his uncle’s death, but that’s neither here nor there) does not come from his own selfishness, but his own perceived cowardice for not helping out when Peter was in his final battle. And after hearing the “with great power comes great responsibility line” from a mourning Gwen Stacy, it’s then he decides to become Spider-Man to honor Peter’s memory. That it blows up in his face only really underlines that Miles has become Spider-Man in at least one way: he now has his penchant bad publicity.

Though Miles is not alone, true believers! In what is probably the most genius idea of differentiating Miles from Peter, Bendis gives Miles a confidant and partner in crime fighting in the form of Ganke Lee. I love Ganke, to be quite honest. He’s like the John to Miles’ David Wong: the competent sidekick who’s totally enthralled by all the insanity entering their lives. He doesn’t push Miles into superheroism (as their scene after Miles freaks out after saving people from a burning building clearly shows), but he does everything he can to help Miles on the way to answering the call. Even providing him with the aforementioned expensive as hell costume (seriously, kid, I like authenticity too, but 80 bucks is just too much). Also, he’s probably the funniest character in the series. (See the picture of Miles trying to demonstrate his powers below).



Again I must mention the art, this time done by one Sara Pichelli. She has a less cartoony style than Mark Bagley. The expressions of her characters give all seem slightly more human than what good ol’ Mark. The people and backgrounds don’t look photo-realistic or anything, but still recognizably human. The action is fluid and dynamic. And the New York of Pichelli feels like a more lived in New York than Bagley’s. All and all, it’s great work.


Now, it’s not all perfect. There’s a joke about “bad taste” that goes on too long for my taste. And I have a hard time believing that most of Peter’s Ultimate Universe is adventures took place over a year or less seems kind of impossible. But overall, this a strong first entry in the career of this new Spider-Man. With that, I give this trade 8.5 out of 10 and will see you all next time.

Jordan Reads Comics: October 19th-25th, 2015

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Alright, enough of these trade collection and facile attempts at music criticism. Let’s go yet again to the singular issues of comics I’ve picked up. As you can tell from the title, this is mainly going to be focusing on book that I bought in the last week. Well, with one notable exception, but we’ll get to that. So, how about we don’t waste any more time and further dive into my slow but sure transformation into Comic Book Guy, shall we?

DC COMICS

Well...I like Clark's beard.
Superman: Lois and Clark #1: I want to like this book. I really, really do. It’s the return of a Superman who isn’t currently going through some late 20's version of an aggro white boy phase, it has both he and Lois together as a happy family, it even has Lee Weeks on art duties and Dan Jurgens…..well, okay, I’ve always thought he was a better artist than he was a writer, but he’s not bad. So why can’t I say that I like this?

The answer, sadly, is very simple: this comic just isn’t that interesting. A good portion of it (especially any dialogue or thoughts coming from Superman) feels less like natural dialogue and more like exposition. This feels like an intro to a lager story in the worst possible way, functioning less like its own tale and more like watching someone set up an elaborate domino maze and we’re just waiting for them to be knocked over.

As for the plot, the Lois and Clark of the DCU before the most recent reboot are stuck on the “New 52” Earth, and have been for at least a decade (if their son Jonathan is anything to go on). They’re under the aliases of Clark and Lois White (heh, cute) and they basically are doing what they did in their old universe: Clark goes out and saves people, and Lois reports on corruption and crime. Only now they do it all in secret because the New 52 is filled with paranoid, cynical and downright unpleasant #&$holes. The issue ends with Clark saving the spaceship Hank Henshaw (aka the possible Cyborg Superman) was on in order to prevent his supervillain origin and Lois is writing a book on Intergang. Oh and there’s also some alien dude looking for a magic stone or some crap, I didn’t really care.

I’ll say this much at the very least: Jonathan didn’t annoy me and the art was excellent overall. I’m still going to have to only give it 6.5 out of 10, and only hope that it gets better. I’m seriously rooting for that.

IDW Publishing

Have some Huey Lewis & The News while you read
Back to the Future #1: Hey look! Something that not only comes from a publisher that’s not one of the Big Two, but it’s tied into the much beloved Back to the Futurefranchise! And it has the direct involvement of Bob Gale, the guy who wrote those movies! This should be interesting at the very least….

This book looks like it’s going to be an anthology of tales set in and around the time meddling shenanigans of Marty and Doc Brown. The first one “When Marty Met Emmet” functions as an origin story for the two’s intergenerational friendship, told from the perspective of Doc to his kids Jules and Verne. It a fun little story, with a pre-teen Marty having to figure out the giant game of mousetrap that is Doc’s home security system, Doc and he meeting and Doc fake offering Marty work before he offers Marty work for real. It’s a nice story and the art by Brent Schoonover is pretty good. It’s a solid 7.5 overall.

Now, the second story, “Looking for a Few Good Scientists” by Erik Burnham and Dan Shoening, is what’s really got me pumped to pick up issue two in month. It revolves around a young Doc Brown as a university professor becoming indignant over not being asked to participate in a government think tank in 1943. He’s told his place is a mess so to get round that, he uses his landlady’s apartment to fool the G-men who come to interview him. It fails but he sees said G-men at his actual apartment, and if the date of 1943 didn’t tip you off, the sight of J. Robert Oppenheimer will: Doc’s being asked to participate in the Manhattan Project! This excites me so damn much since it raises so many questions on how this will end for the guy:

·         Is this where Doc Brown gets the idea to use plutonium for the DeLorean?
·         Will Doc get booted off the project for being too weird?
·         Will he ultimately leave when he discovers the targets for his work will be civilians?
·         And, most importantly, will his actions working on the Manhattan Project lead to him getting shunned by the scientific community and ultimately being stuck in Hill Valley for decades until he meets those Libyan terrorists?

I don’t know, really. The future hasn’t been written yet, and I can’t wait to see what happens next. For that, and the amazing artwork of Shoening, I give this an 8.5.

Marvel Comics

If nothing else, I like the
Alex Ross cover.
Amazing Spider-Man #2:And now we come to the first book featuring Peter Parker I’ve picked up in years. I haven’t picked up the book in so long due to various reasons (none of the storylines actually interesting me, Marvel’s bizarre desire to keep Peter and MJ apart for some imagined sense of  “classic” feeling, all the bad things I’ve heard about One More Day, ect.) So this is slightly exciting. Let’s see what Dan Slott and Giuseppe Camucoli have in store for us.

Right away I get a powerful Iron Man/ ‘60s spy-fi feeling from this book. The main threat for this arc, Zodiac, has an underwater base that would be the envy of any James Bond villain, complete with its own faceless goons and a self destruct button. The three Zodiac bosses we meet (Pisces, Cancer and Aquarius) all look like they’d be more at home fighting a Showa era Kamen Rider than Spider-Man. Just makes me wonder when the blinking light of Great Leader will show up.

As for Spidey himself, I gotta say I’m surprised at how much I like this change for Peter. If we’re not going to have any true evolution of his relationship with Mary Jane, giving him some form of financial stability at least spares us from instance 1,954,876,432 of Peter bitching about his money problems. Can we please keep that if/when Dan Slott finally leaves the series? I’d like to see some forward momentum in Parker’s life.
I’m going to be completely honest with you: I went into this issue thinking I may come out hating it entirely. That I didn’t is a very pleasant surprise to me, but not enough to get me to give this issue anything higher than a solid 7.0.
(Also, the reason that I didn’t pick up ASM #1 is that I have a real problem spending six bucks on a single comic.)

And it has a Kung fu grip!
Invincible Iron Man #2: I think we can safely say that this new Marvel universe is some sort of opposite dimension, since it seems that Peter Parker and Tony Stark have started to switch personalities. I say this not only because of ASM #2, but because we yet again get an instance of Tony talking like Peter when he confronts Madame Masque and freaks out at the possibility that Doctor Doom is trying to go to the side of the (angst-ridden, snarky, sometimes outright prick) angels. Maybe Doc Ock’s brain switching machine has gone wireless.

We do get to see a bit more of what Tony’s new suit can do: summon his other armors (this week’s flavor: the everlovin’ Hulkbuster), cloak itself, scan for magical energies (also: Tony seems really comfortable with magic just existing), with the good old fashioned abilities flight and repulsor rays. That’s nice, but I’m getting the feeling that this storyline’s going to be decompressed as hell. It’s one of my main problems with Bendis’ writing: his tendency to drag out stories for longer than they should go. I hope I’m wrong, but the path we’re going down with old shellhead seems to be taking the long route.

I don’t think I mentioned David Marquez’s art before, (in fact I’ve been short shifting art a lot in these micro reviews) but I feel like I’d be remiss if I didn’t talk about it here. Marquez has to be one of my favorite artists thanks to his work on Ultimate Spider-Man and I love his work here. My only real complaint is that his Tony just looks too young to me, but that’s it. Overall, this is a 7.5.

Get yours today!
Spider-Gwen #1: I actually picked this one up last week. I forgot to read the dang thing and by the time I remembered I had it I had already posted the first Jordan Reads Comics. So, my bad, I guess.

To catch up anyone who (like me) doesn’t know what’s going on: in an alternate universe, Gwen Stacy got bitten by a radioactive spider who at a science demonstration. She became Spider-Woman, Peter became the Lizard and then became dead, and Gwen’s father Captain George Stacy knows of his daughter’s superheroine work. This issue has Gwen investigating a rash of Lizard sighting and Gwen’s dad vowing to find Peter Parker’s real killer, since Captain Frank Castle (yes, The Punisher is a cop in this universe) has taken his place as the head of “Catch Spider-Woman” task force.


This book is simply okay to me. The art by Robbi Rodriguez is sufficiently stylized, with Rico Renzi’s colors giving it a sort of neon look to every panel. Jason Latour’s writings kind of hit and miss for me, with what jokes that are there missing their mark and only really getting good when Gwen start lashing back to Peter’s death and investigating Curt Connors. For all that, I grant this comic 7.0.


And that’s all I got for today. It’s been a pretty average group of books, but each has the potential to (I hope) become better. Tune in next time for more comics critiques. 
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